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A World Perspective of Art Appreciation

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A World Perspective of Art Appreciation

Art appreciation is centered on the ability to view art throughout history, focusing on the cultures and the people, and how art developed in the specific periods. You cannot understand art without understanding the culture, their use of materials and sense of beauty. Art is also conveyed by the simple act of creating art for art’s sake. Every person is born with the innate desire to create art and similar to other professions, training is essential in honing skills to produce art.

Humanities
Author
Deborah Gustlin & Zoe Gustlin
Publisher
Evergreen Valley College
Source
LibreTexts
Language
EN
Read online Download PDF (open licence)
Contents· 175 sections
  1. 01: A World Perspective of Art Appreciation
  2. 1.1: What Is Art Appreciation
  3. 1.2: Art of the Past and the Origins of Creativity
  4. 1.3: What are BCE and CE
  5. 1.4: What is an Artist
  6. 1.5: How to Compare and Contrast Art
  7. 1.6: What Are the Elements of Art and the Principles of Art
  8. 1.7: Art Materials and Methods
  9. 1.8: Chapter 1 Attributions
  10. 02: The Dawn of Art (40800 BCE 5000 BCE)
  11. 2.1: Overview
  12. 2.2: Geology of Caves
  13. 2.3: Cave Art
  14. 2.4: Handheld Art
  15. 2.5: Conclusion and Contrast
  16. 2.6: Attributions
  17. 03: The First Civilizations and their Art (5000 BCE 1900 BCE)
  18. 3.1: Overview
  19. 3.2: Aegean (3000 BCE 1000 BCE)
  20. 3.3: Early Egyptian Dynasty (3150 BCE 2686 BCE)
  21. 3.4: Early Mesopotamia (3100 BCE 2000 BCE approx.)
  22. 3.5: Indus Valley (3300 BCE 1700 BCE)
  23. 3.6: Longshan (3000 BCE 1700 BCE)
  24. 3.7: Early Jomon Period (5000 BCE 2500 BCE)
  25. 3.8: Neolithic England (3100 BCE 1600 BCE approx.)
  26. 3.9: Conclusion and Contrasts
  27. 3.10: Chapter Three Attributions
  28. 04: Learning to Build and the Evolution of Tools and Symbolic Statues (1900 BCE - 400 BCE)
  29. 4.1: Overview
  30. 4.2: Middle New and Late Kingdom Egyptian Dynasties (1366 BCE 332 BCE)
  31. 4.3: Aegean (1700 BCE 1450 BCE)
  32. 4.4: Mesopotamia (2500 BCE 330 BCE)
  33. 4.5: Phoenicians (1200 BCE 539 BCE)
  34. 4.6: Etruscan (900 BCE 600 BCE)
  35. 4.7: Shang and Zhou Dynasties (1766 BCE 256 BCE)
  36. 4.8: Late Jomon (1500 BCE 300 BCE)
  37. 4.9: Chavin (900 BCE 200 BCE)
  38. 4.10: Olmec (1500 BCE 400 BCE)
  39. 4.11: Early and Middle Pre-Classic Mayan (2000 BCE 400 BCE)
  40. 4.12: Conclusion and Contrast
  41. 4.13: Chapter 4 Attributions
  42. 05: The Transition of Art (400 BCE 200 CE)
  43. 5.1: Overview
  44. 5.2: Roman Empire (27 BCE 393 CE)
  45. 5.3: Classical and Hellenistic Greece (510 BCE 31 BCE)
  46. 5.4: Nok (700 BCE 300 BCE)
  47. 5.5: Qin Dynasty (221 BCE - 206 BCE)
  48. 5.6: Yayoi Period (300 BCE 300 CE)
  49. 5.7: Nazca (100 BCE 800 CE)
  50. 5.8: Moche (100 CE 800 CE)
  51. 5.9: Conclusion and Contrast
  52. 5.10: Chapter Five Attributions
  53. 06: The Sophisticated Art of Cultures (200 CE 1400 CE)
  54. 6.1: Overview
  55. 6.2: Late Roman Empire (3rd C 6th C)
  56. 6.3: Byzantine (330 CE 1453 CE)
  57. 6.4: Islamic Golden Age (mid 7th C mid 13th C)
  58. 6.5: Viking (Late 8th C late 11th C)
  59. 6.6: Romanesque (1000 CE 1150 CE)
  60. 6.7: Gothic (12th C end of 15th C)
  61. 6.8: Igbo of Nigeria (10th C 13th C)
  62. 6.9: Djenne of Mali (9th C 15th C)
  63. 6.10: Gupta Period (320 CE 550 CE)
  64. 6.11: Khmer Empire (802 CE 1431 CE)
  65. 6.12: Song Dynasty (960 CE 1276 CE)
  66. 6.13: Asuka Nara and Heian Periods (538 CE 1185 CE)
  67. 6.14: Rapa Nui Island (7th CE est. ongoing)
  68. 6.15: Ancestral Puebloans (700 CE 1300 CE)
  69. 6.16: Mayan Classic Period (250 CE 1539 CE)
  70. 6.17: Incan Empire (Early 12th C 1572)
  71. 6.18: Aztecs (14th 16th)
  72. 6.19: Conclusion and Contrast
  73. 6.20: Chapter Six Attributions
  74. 07: The Sacred Buildings of Civilizations (200 CE 1400 CE)
  75. 7.1: Overview
  76. 7.2: Byzantine Hagia Sophia (537 CE)
  77. 7.3: Jerusalem Dome of the Rock (691 CE)
  78. 7.4: Islamic Golden Age Umayyad Mosque (715 CE)
  79. 7.5: Viking Borgund Stave Church (Around 1180 CE)
  80. 7.6: Romanesque Sant Climent de Taull (1123 CE)
  81. 7.7: Gothic Notre Dame (Started 1163 CE)
  82. 7.8: Ethiopian Lalibela Church Complex (12th and 13th Centuries)
  83. 7.9: Gupta Period Mahabodhi Temple (5th or 6th Century)
  84. 7.10: Khmer Empire Bayon Temple (13th Century)
  85. 7.11: Song Dynasty Six Harmonies Pagoda (970 CE)
  86. 7.12: Asuka Nara Heian Periods Konpon Daito Pagoda (887 CE)
  87. 7.13: Ancestral Puebloans Kivas (Approx. 1080 1150)
  88. 7.14: Mayan Classic Period Kukulkan Temple (900 CE)
  89. 7.15: Incan Temple of the Sun (Mid 1400 CE)
  90. 7.16: Aztec Templo Mayor (1326 CE (first version))
  91. 7.17: Conclusion and Contrast
  92. 7.18: Chapter 7 Attributions
  93. 08: Renaissance - The Growth of Europe (1400 CE 1550 CE)
  94. 8.1: Overview
  95. 8.2: Renaissance Artists
  96. 8.3: Conclusion and Contrast
  97. 8.4: Chapter Eight Attributions
  98. 09: The Beginning of Colonization (1550 CE 1750 CE)
  99. 9.1: Overview
  100. 9.2: Northern European Baroque (1580s early 1700)
  101. 9.3: Italian Baroque (1580s early 1700)
  102. 9.4: Spanish Baroque (1580s early 1700)
  103. 9.5: Mexican Baroque (1640 mid 1700s)
  104. 9.6: Rococo (1730 1760)
  105. 9.7: Benin Kingdom (1100 1897)
  106. 9.8: Mughal Period (1526 1857)
  107. 9.9: Kano School (Late 15th century 1868)
  108. 9.10: Qing Period (1636 1911)
  109. 9.11: Conclusion and Contrast
  110. 9.12: Chapter 9 Attributions
  111. 10: The New World Grows (1700 CE 1800 CE)
  112. 10.1: Overview
  113. 10.2: Portraits (18th Century)
  114. 10.3: George Washington Portraits (18th Century)
  115. 10.4: Early American Folk Art (1650 1900)
  116. 10.5: New World Furniture and Crafts (18th Century)
  117. 10.6: Natural History Illustration (18th Century)
  118. 10.7: Textiles (Ongoing)
  119. 10.8: Conclusion and Contrast
  120. 10.9: Chapter 10 Attributions
  121. 11: The Industrial Revolution (1800 CE 1899 CE)
  122. 11.1: Overview
  123. 11.2: Romanticism (1780-1850)
  124. 11.3: Realism (1848 1870)
  125. 11.4: Hudson River School (1850s 1880)
  126. 11.5: Shanghai School of Art (Late 19th Century)
  127. 11.6: Edo Period (1615 1868)
  128. 11.7: Impressionism (1860 1890)
  129. 11.8: Post-Impressionism (1885 1905)
  130. 11.9: Art Nouveau (1890 1914)
  131. 11.10: Photography (Since 1826)
  132. 11.11: Conclusion and Contrast
  133. 11.12: Attributions
  134. 12: The Modern Art Movement (1900 CE 1930 CE)
  135. 12.1: Overview
  136. 12.2: American Modernism (1900 1930s)
  137. 12.3: Fauvism (1900 1935)
  138. 12.4: Expressionism (1905 1930)
  139. 12.5: Cubism (1907 1914)
  140. 12.6: Dada (1916 1930)
  141. 12.7: The Bauhaus (1919-1933)
  142. 12.8: Harlem Renaissance (1920 1930)
  143. 12.9: Canadian Group of Seven (1920 1933)
  144. 12.10: Conclusion and Contrast
  145. 12.11: Chapter 12 Attributions
  146. 13: The World is One (1930 1970)
  147. 13.1: Overview
  148. 13.2: 20th Century Architecture
  149. 13.3: Sculptures
  150. 13.4: Photography
  151. 13.5: Mexican Murals and Social Art
  152. 13.6: Works Progress Administration Murals
  153. 13.7: Nihonga and Yoga Style
  154. 13.8: Surrealism
  155. 13.9: Conclusion and Contrast
  156. 13.10: Chapter 13 Attributions
  157. 14: The World is One (1960 CE 1990s CE)
  158. 14.1: Overview
  159. 14.2: Pop Art
  160. 14.3: Op Art
  161. 14.4: Abstract Expressionism
  162. 14.5: Minimalism
  163. 14.6: San Francisco Bay Area Figurative
  164. 14.7: First Nation Group of Seven
  165. 14.8: Quilting
  166. 14.9: Conclusion and Contrast
  167. 14.10: Chapter 14 Attributions
  168. 15: The New Millennium (2000 - 2020)
  169. 15.1: Overview
  170. 15.2: Installation and Sculpture
  171. 15.3: Architecture for the 21st Century
  172. 15.4: Digital Art
  173. 15.5: Contemporary Figurative
  174. 15.6: Conclusion and Contrast
  175. 15.7: Chapter 15 Attributions