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Mind, Body, World - Foundations of Cognitive Science

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Mind, Body, World - Foundations of Cognitive Science

Perhaps owing to the field's origins in cybernetics, as well as to the foundational assumption that cognition is information processing, cognitive science initially seemed more unified than psychology. However, as a result of differing interpretations of the foundational assumption and dramatically divergent views of the meaning of the term information processing, three separate schools emerged: classical cognitive science, connectionist cognitive science, and embodied cognitive science.

Author
Michael R. W. Dawson
Publisher
University of Alberta
Source
LibreTexts
License
CC BY-NC-ND
Language
EN
Category
Basic Sciences
Contents· 112 sections
  1. 01: The Cognitive Sciences- One or Many
  2. 1.01: Chapter Overview
  3. 1.02: A Fragmented Psychology
  4. 1.03: A Unified Cognitive Science
  5. 1.04: Cognitive Science or the Cognitive Sciences
  6. 1.05: Cognitive Science- Pre-paradigmatic
  7. 1.06: Plan of Action
  8. 02: Multiple Levels of Investigation
  9. 2.01: Chapter Overview
  10. 2.02: Machines and Minds
  11. 2.03: From the Laws of Thought to Binary Logic
  12. 2.04: From the Formal to the Physical
  13. 2.05: Multiple Procedures and Architectures
  14. 2.06: Relays and Multiple Realizations
  15. 2.07: Multiple Levels of Investigation and Explanation
  16. 2.08: Formal Accounts of Input-Output Mappings
  17. 2.09: Algorithms from Artifacts
  18. 2.10: Behaviour by Design and by Artifact
  19. 2.11: Architectures against Homunculi
  20. 2.12: Implementing Architectures
  21. 2.13: Levelling the Field
  22. 03: Elements of Classical Cognitive Science
  23. 3.01: Chapter Overview
  24. 3.02: Mind, Disembodied
  25. 3.03: Mechanizing the Infinite
  26. 3.04: Phrase Markers and Fractals
  27. 3.05: Behaviourism, Language, and Recursion
  28. 3.06: Underdetermination and Innateness
  29. 3.07: Physical Symbol Systems
  30. 3.08: Componentiality, Computability, and Cognition
  31. 3.09: The Intentional Stance
  32. 3.10: Structure and Process
  33. 3.11: A Classical Architecture for Cognition
  34. 3.12: Weak Equivalence and the Turing Test
  35. 3.13: Towards Strong Equivalence
  36. 3.14: The Impenetrable Architecture
  37. 3.15: Modularity of Mind
  38. 3.16: Reverse Engineering
  39. 3.17: What is Classical Cognitive Science?
  40. 04: Elements of Connectionist Cognitive Science
  41. 4.01: Chapter Overview
  42. 4.02: Nurture versus Nature
  43. 4.03: Associations
  44. 4.04: Nonlinear Transformations
  45. 4.05: The Connectionist Sandwich
  46. 4.06: Connectionist Computations - An Overview
  47. 4.07: Beyond the Terminal Meta-postulate
  48. 4.08: What Do Output Unit Activities Represent?
  49. 4.09: Connectionist Algorithms - An Overview
  50. 4.10: Empiricism and Internal Representations
  51. 4.11: Chord Classification by a Multilayer Perceptron
  52. 4.12: Trigger Features
  53. 4.13: A Parallel Distributed Production System
  54. 4.14: Of Coarse Codes
  55. 4.15: Architectural Connectionism - An Overview
  56. 4.16: New Powers of Old Networks
  57. 4.17: Connectionist Reorientation
  58. 4.18: Perceptrons and Jazz Progressions
  59. 4.19: What Is Connectionist Cognitive Science?
  60. 05: Elements of Embodied Cognitive Science
  61. 5.01: Chapter Overview
  62. 5.02: Abandoning Methodological Solipsism
  63. 5.03: Societal Computing
  64. 5.04: Stigmergy and Superorganisms
  65. 5.05: Embodiment, Situatedness, and Feedback
  66. 5.06: Umwelten, Affordances, and Enactive Perception
  67. 5.07: Horizontal Layers of Control
  68. 5.08: Reorientation without Representation
  69. 5.09: Robotic Moments in Social Environment
  70. 5.10: The Architecture of Mind Reading
  71. 5.11: Levels of Embodied Cognitive Science
  72. 5.12: What is Embodied Cognitive Science?
  73. 5.13: Mind in Action
  74. 5.14: The Extended Mind
  75. 5.15: The Roots of Forward Engineering
  76. 06: Classical Music and Cognitive Science
  77. 6.01: Chapter Overview
  78. 6.02: The Classical Nature of Classical Music
  79. 6.03: The Classical Approach to Musical Cognition
  80. 6.04: Musical Romanticism and Connectionism
  81. 6.05: The Connectionist Approach to Musical Cognition
  82. 6.06: The Embodied Nature of Modern Music
  83. 6.07: The Embodied Approach to Musical Cognition
  84. 6.08: Cognitive Science and Classical Music
  85. 07: Marks of the Classical
  86. 7.01: Chapter Overview
  87. 7.02: Symbols and Situations
  88. 7.03: Marks of the Classical
  89. 7.04: Centralized versus Decentralized Control
  90. 7.05: Serial versus Parallel Processing
  91. 7.06: Local versus Distributed Representations
  92. 7.07: Internal Representations
  93. 7.08: Explicit Rules versus Implicit Knowledge
  94. 7.09: The Cognitive Vocabulary
  95. 7.10: From Classical Marks to Hybrid Theories
  96. 08: Seeing and Visualizing
  97. 8.01: Chapter Overview
  98. 8.02: The Transparency of Visual Processing
  99. 8.03: The Poverty of Stimulus
  100. 8.04: Enrichment via Unconscious Inference
  101. 8.05: Natural Constraints
  102. 8.06: Vision, Cognition, and Visual Cognition
  103. 8.07: Indexing Objects in the World
  104. 8.08: Situation, Vision, and Action
  105. 8.09: Scaffolding the Mental Image
  106. 8.10: The Bounds of Cognition
  107. 09: Towards a Cognitive Dialectic
  108. 9.01: Chapter Overview
  109. 9.02: Towards a Cognitive Dialectic
  110. 9.03: Psychology Revolution and Environment
  111. 9.04: Lessons from Natural Computation
  112. 9.05: A Cognitive Synthesis