Phu Xuan University Library
|
PXU E-LIB
Sign in
Pay for Play: How the Music Industry Works, Where the Money Goes, and Why

External

Pay for Play: How the Music Industry Works, Where the Money Goes, and Why

The history of music is closely linked to the history of copyright law. This book explores how the law shaped music and the music industry. From church and court patronage in pre-19th Century Europe, to the effects of social media on music, this book explores the abiding influence of the law on music.

MusicHumanities
Author
Larry Wayte
Publisher
University of Oregon
Source
LibreTexts
License
CC BY-NC-SA
Language
EN
Category
Economics
Read online Download PDF (open licence)
Contents· 44 sections
  1. 01: History and Structure of the Music Industry
  2. 1.01: The Record Contract
  3. 1.02: Church and Court Patronage
  4. 1.03: Public Concerts and Celebrity
  5. 1.04: Music Printing
  6. 1.05: Tin Pan Alley and Music Publishing
  7. 1.06: How Does the Publishing Industry Work
  8. 1.07: The First Format War- Cylinder vs. Disk
  9. 1.08: Ralph Peer and Country Music
  10. 1.09: Radio
  11. 1.10: The Great Depression and the 1930s
  12. 1.11: The Development of National Record Charts
  13. 1.12: World War II and the ASCAP and Musicians Strikes
  14. 1.13: Post-War Boom Independent Labels and Rock and Roll
  15. 1.14: The Transformative 1960s
  16. 1.15: The 1970s and Genre Stratification
  17. 1.16: The 1980s and 90s- Consolidation and MTV Pop Superstars
  18. 1.17: Napster the iPod and Streaming- The Record Industry in the New Millennium
  19. 1.18: The Record Industry Today
  20. 1.19: The Live Music Industry
  21. 1.20: Music in Social Media
  22. 1.21: Independent Music Production and Distribution
  23. 1.22: Who Does What in the Record Industry
  24. 02: Copyright and Music
  25. 2.01: Copyright Theory and History
  26. 2.02: Additional Music Copyright Terms and Concepts You Should Know
  27. 2.03: The Music Royalty System Today
  28. 2.04: Mechanical Rights
  29. 2.05: Performance Rights
  30. 2.06: Sound Recordings
  31. 2.07: Synch Rights for Video and Music
  32. 2.08: Dramatic Musical Works
  33. 2.09: Copyright Criticism and Alternatives
  34. 03: Copyright Infringement of Musical Works
  35. 3.01: How a Musical Work Copyright Infringement Case Works
  36. 3.02: How much copying is too much
  37. 3.03: Fair Use
  38. 3.04: Damages
  39. 3.05: Landmark Musical Work Copyright Infringement Cases
  40. 04: Copyright Infringement of Sound Recordings
  41. 4.01: Consumer Sound and Video Copying Devices The Cassette and Home Video Recorder (Sony vs. Betamax)
  42. 4.02: Contributory and Vicarious Liability for Peer-to-Peer File Sharing Services- The Napster and Grokster cases
  43. 4.03: The Digital Millennium Copyright Act
  44. 4.04: Sampling and Sound Recording Copyrights