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SmartHistory of Art IXb- Modernism 1945 to 1980

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SmartHistory of Art IXb- Modernism 1945 to 1980

Two world wars, sweeping technological change, and the undoing of traditional academic art. The 20th century saw radical shifts in the way art was made—and it kept on shifting.

ArtHumanities
Author
Smarthistory
Publisher
Smarthistory
Source
LibreTexts
License
CC BY-NC-SA
Language
EN
Read online Download PDF (open licence)
Contents· 215 sections
  1. 01: Latin American Modernism
  2. 1.01: Latin American art an introduction
  3. 1.02: Early vanguards
  4. 1.2.01: Francisco Goitia Tata Jesucristo
  5. 1.2.02: Luis Nishizawa and mexicanidad
  6. 1.2.03: Amelia Pelaez del Casal Fishes
  7. 1.03: Mexican Muralism
  8. 1.3.01: Mexican Muralism- Los Tres Grandes David Alfaro Siqueiros Diego Rivera and Jose Clemente Orozco
  9. 1.3.02: Diego Rivera
  10. 1.3.2.01: Diego Rivera first and second floor murals of the Secretaria de Educacion Publica
  11. 1.3.2.02: Diego Rivera Stairwell and Third Floor Court of Labor at the SEP
  12. 1.3.2.03: The History of Mexico- Diego Riveras Murals at the National Palace
  13. 1.3.2.04: Sugar Cane
  14. 1.3.2.05: Man at the Crossroads
  15. 1.3.2.06: Man Controller of the Universe
  16. 1.3.2.07: Detroit Industry Murals
  17. 1.3.2.08: Calla Lilly Vendor (Vendedora de Alcatraces)
  18. 1.3.2.09: Dream of a Sunday Afternoon in Alameda Central Park
  19. 1.3.03: Jose Clemente Orozco Dive Bomber and Tank
  20. 1.04: Surrealism
  21. 1.4.01: Frida Kahlo
  22. 1.4.1.01: Frida Kahlo introduction
  23. 1.4.1.02: Frieda and Diego Rivera
  24. 1.4.1.03: The Two Fridas (Las dos Fridas)
  25. 1.4.02: Rosa Rolanda Self-Portrait
  26. 1.4.03: Wifredo Lam
  27. 1.4.3.01: The Jungle
  28. 1.4.3.02: The Eternal Presence
  29. 1.4.04: Hector Hyppolite Ogou Feray also known as Ogoun Ferraille by DR. TAMARA DIAZ CALCANO
  30. 1.05: Constructivism
  31. 1.5.01: Geometric Abstraction in South America an introduction
  32. 1.5.02: Joaquin Torres-Garcia
  33. 1.5.2.01: Composition
  34. 1.5.2.02: Inverted America
  35. 1.5.03: Lygia Clark Bicho
  36. 1.5.04: Breaking the Frame the Concrete Art Movement
  37. 1.5.05: Painting in an Industrial Age the Concrete Art Movement
  38. 1.5.06: The Challenge of a Straight Line the Concrete Art Movement
  39. 1.5.07: Rhod Rothfuss Yellow Quadrangle
  40. 1.06: Brazilian modernism
  41. 1.6.01: The origins of modern art in Sao Paulo an introduction
  42. 1.6.02: Tarsila do Amaral Abaporu
  43. 1.6.03: An Antidote for Social Amnesia- The Memory Space of the Cais do Valongo
  44. 1.6.04: Leticia Parente Marca registrada
  45. 1.6.05: Helio Oiticica Parangoles
  46. 1.07: International style architecture
  47. 1.7.01: International Style architecture in Mexico and Brazil
  48. 1.7.02: Building Brasilia
  49. 1.08: Photography
  50. 1.8.01: Martin Chambi Juan de la Cruz Sihuana Cuzco Studio
  51. 1.8.02: Lola Alvarez Bravo Architectural Anarchy in Mexico City
  52. 1.8.03: Jose Yalenti Architecture or Twilight
  53. 02: American art to WWII
  54. 2.01: American Impressionism
  55. 2.1.01: Metcalf Havana Harbor
  56. 2.1.02: When the department store was new- Elizabeth Sparhawk-Jones The Shoe Shop
  57. 2.02: Symbolism Henry Ossawa Tanner
  58. 2.2.01: The Banjo Lesson
  59. 2.2.02: Angels Appearing before the Shepherds
  60. 2.2.03: The Good Shepherd
  61. 2.03: Ashcan School
  62. 2.3.01: The Ashcan School an introduction
  63. 2.3.02: George Luks Hester Street
  64. 2.3.03: George Bellows
  65. 2.3.3.01: Pennsylvania Station Excavation
  66. 2.3.3.02: Both Members of This Club
  67. 2.3.3.03: Return of the Useless
  68. 2.3.04: John Sloan Movies
  69. 2.04: 291
  70. 2.4.01: 291Little Galleries of the Photo Secession
  71. 2.4.02: Alfred Stieglitz The Steerage
  72. 2.4.03: Florine Stettheimer Portrait of Alfred Stieglitz
  73. 2.4.04: Marsden Hartley Portrait of a German Officer
  74. 2.4.05: Joseph Stella The Voice of the City of New York Interpreted
  75. 2.4.06: Charles Demuth I Saw the Figure 5 in Gold
  76. 2.4.07: Georgia O'Keeffe
  77. 2.4.7.01: Radiator BuildingNight New York
  78. 2.4.7.02: The Lawrence Tree
  79. 2.05: North American Modernism
  80. 2.5.01: Yasuo Kuniyoshi Little Joe with Cow
  81. 2.5.02: Elsie Driggs Blast Furnaces
  82. 2.5.03: Millard Sheets Tenement Flats
  83. 2.5.04: Franklin Carmichael Grace Lake
  84. 2.06: The American west
  85. 2.6.01: Stephen Mopope U.S. Post Office Murals Anadarko OK
  86. 2.6.02: Stephen Mopope Game of Skill
  87. 2.07: The American south and southwest
  88. 2.7.01: Robert Henri Tom Po Qui (Water of Antelope Lake Indian Girl Ramoncita)
  89. 2.7.02: Walter Ufer Hunger
  90. 2.7.03: The lure of the American Southwest- E. Martin Hennings Rabbit Hunt
  91. 2.7.04: Velino Shije Herrera (Ma Pe Wi) Design Tree and Birds
  92. 2.7.05: Nampeyo (Hopi-Tewa) polychrome jar
  93. 2.7.06: Puebloan- Maria Martinez Black-on-black ceramic vessel
  94. 2.7.07: Julian Martinez Buffalo Dancers
  95. 2.7.08: 10.7.8-Awa Tsirehs Pottery Makers
  96. 2.08: Harlem Renaissance
  97. 2.8.01: Aaron Douglas Aspiration
  98. 2.8.02: Jacob Lawrence
  99. 2.8.2.01: The Migration Series
  100. 2.8.2.02: Ambulance Call
  101. 2.09: Social Realism
  102. 2.9.01: Todros Geller Strange Worlds
  103. 2.9.02: Hale Woodruff The Banjo Player
  104. 2.9.03: Grant Wood
  105. 2.9.3.01: American Gothic
  106. 2.9.3.02: Parson Weems' Fable
  107. 2.9.04: Alexandre Hogue Crucified Land
  108. 2.9.05: Vertis Hayes The Lynchers
  109. 2.9.06: Vertis Hayes Juke Joint
  110. 2.9.07: Reginald Marsh Wooden Horses
  111. 2.9.08: Ben Shahn
  112. 2.9.8.01: The Passion of Sacco and Vanzetti
  113. 2.9.8.02: Miners' Wives
  114. 2.9.8.03: Contemporary American Sculpture
  115. 2.9.09: Romare Bearden Factory Workers
  116. 2.9.10: Edward Hopper Nighthawks
  117. 2.9.11: Horace Pippin
  118. 2.9.11.01: Horace Pippin Mr. Prejudice
  119. 2.9.11.02: Josiah McElheny on Horace Pippin
  120. 2.9.12: Norman Rockwell Rosie the Riveter
  121. 2.9.13: Eldzier Cortor Southern Landscape
  122. 2.10: Sculpture
  123. 2.10.01: Frederick MacMonnies Civic Virtue
  124. 2.10.02: Stone Mountain Georgia
  125. 2.10.03: Alexander Calder Mobile
  126. 2.11: Photography
  127. 2.11.01: Walker Evans Subway Passengers New York City
  128. 2.11.02: Ansel Adams- Visualizing a Photograph
  129. 2.11.03: Dorothea Lange Migrant Mother
  130. 2.11.04: Lotte Jacobi Albert Einstein
  131. 2.11.05: Harold Edgerton Milk-Drop Coronet Splash
  132. 03: Postwar American art
  133. 3.01: Abstract Expressionism
  134. 3.1.01: Abstract Expressionism an introduction
  135. 3.1.02: Finding meaning in abstraction
  136. 3.1.03: Norman Lewis Untitled
  137. 3.1.04: Willem de Kooning Woman I
  138. 3.1.05: Hedda Sterne Number 31957
  139. 3.1.06: Lee Krasner Untitled
  140. 3.1.07: Robert Motherwell Elegy to the Spanish Republic No. 57
  141. 3.1.08: Jackson Pollock
  142. 3.1.8.01: Autumn Rhythm
  143. 3.1.8.02: Mural
  144. 3.1.8.03: The Case for Jackson Pollock
  145. 3.1.8.04: Why is that important Looking at Jackson Pollock
  146. 3.1.8.05: The Painting Techniques of Jackson Pollock
  147. 3.1.8.06: Conservation- Jackson Pollock One- Number 31 1950
  148. 3.1.8.07: Paint Application Studies of Jackson Pollocks Mural
  149. 3.1.09: Mark Rothko
  150. 3.1.9.01: No. 210 No. 211 (Orange) 1960
  151. 3.1.9.02: No. 3 No. 13
  152. 3.1.9.03: The Case for Mark Rothko
  153. 3.1.9.04: Mark Rothko (at MoMA)
  154. 3.1.9.05: Restoring Rothko
  155. 3.1.10: Barnett Newman
  156. 3.1.10.01: Onement I
  157. 3.1.10.02: Barnett Newman at MoMA
  158. 3.1.10.03: The Painting Techniques of Barnett Newman
  159. 3.1.10.04: Representation and abstraction- looking at Millais and Newman
  160. 3.1.11: Franz Kline
  161. 3.1.11.01: Franz Kline at MoMA
  162. 3.1.11.02: The Painting Techniques of Franz Kline
  163. 3.1.12: Beauford Delaney Marian Anderson
  164. 3.1.13: Mark Bradford on Clyfford Still
  165. 3.02: New York School
  166. 3.2.01: The Impact of Abstract Expressionism
  167. 3.2.02: Sari Dienes Star Circle
  168. 3.2.03: Jasper Johns
  169. 3.2.3.01: Flag
  170. 3.2.3.02: White Flag
  171. 3.2.04: Robert Rauschenberg
  172. 3.2.4.01: Erased de Kooning Drawing
  173. 3.2.4.02: Canyon
  174. 3.2.4.03: Bed
  175. 3.2.4.04: Retroactive I
  176. 3.2.4.05: Robert Rauschenberg Signs
  177. 3.2.05: Ed Kienholz and Nancy Reddin Kienholz Useful Art 5- The Western Motel
  178. 3.2.06: Ad Reinhardt
  179. 3.2.6.01: Abstract Painting
  180. 3.2.6.02: Ad Reinhardt at MoMA
  181. 3.2.6.03: The Painting Techniques of Ad Reinhardt
  182. 3.2.07: Helen Frankenthaler
  183. 3.2.7.01: Mountains and Sea
  184. 3.2.7.02: The Bay
  185. 3.2.08: Frank Stella The Marriage of Reason and Squalor
  186. 3.03: Postwar figurative art
  187. 3.3.01: Thelma Streat Girl with Bird
  188. 3.3.02: Charles Sebree The Mystic
  189. 3.3.03: George Tooker Highway
  190. 3.3.04: Jess If All the World Were Paper and All the Water Sink
  191. 3.3.05: Benny Andrews Flag Day
  192. 3.3.06: Romare Bearden Three Folk Musicians
  193. 3.3.07: Brummett Echohawk (Pawnee) An Island of Redbuds on the Cimarron
  194. 3.3.08: Duane Hanson Executive
  195. 3.3.09: Faith Ringgold Dancing at the Louvre
  196. 3.3.10: Faith Ringgold Ben
  197. 3.3.11: Ruthe Blalock Jones (Delaware Shawnee Peoria) Medicine Woman
  198. 3.3.12: Lin Tianmiao on Alex Katzs Black and Brown Blouse
  199. 3.04: Postwar abstraction
  200. 3.4.01: Josef Albers Homage to the Square
  201. 3.4.02: Ruth Asawa Untitled
  202. 3.4.03: Rita Mae Pettway Housetop (fractured medallion variation)
  203. 3.4.04: Alma Thomas Lunar RendezvousCircle of Flowers
  204. 3.4.05: Sam Gilliam Purpled (Chasers Series)
  205. 3.05: Photography
  206. 3.5.01: Gordon Parks Off on My Own (Harlem New York)
  207. 3.5.02: LaToya Ruby Frazier on Gordon Parkss Red Jackson
  208. 3.5.03: Garry Winogrand Democratic Convention 1960
  209. 3.5.04: Richard Avedon Audrey Hepburn New York January 1967
  210. 3.5.05: New Topographics
  211. 3.5.06: How Photographs of Poverty in the Americas Ignited an International Battle over Propaganda
  212. 3.5.07: Richard Misrachs early work and Border Cantos
  213. 3.5.08: Robert Frank
  214. 3.5.8.01: An interview with Robert Frank
  215. 3.5.8.02: Rashid Johnson on Robert Franks The Americans