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Understanding Color Theory in Artistic Contexts

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Understanding Color Theory in Artistic Contexts

Humanities
Author
drodenhauser
Publisher
Taft College
Source
LibreTexts
Language
EN
Read online Download PDF (open licence)
Contents· 81 sections
  1. 01: Getting to Know Color
  2. 1.01: Color Terms
  3. 1.02: High Renaissance
  4. 1.03: Foundation- Visual Elements of Art
  5. 1.3.01: Visual Elements of Art-Shape
  6. 1.3.1.01: Videos-Elements of Art- Shape and Contrast
  7. 1.3.1.1.01: Visual Elements of Art-Color and Value
  8. 1.3.02: Visual Elements of Art-Texture
  9. 1.3.2.01: Visual Elements of Art- Space and Perspective
  10. 1.3.2.1.01: Videos- Space and Perspective
  11. 1.3.03: Elements of Art- Mass and Volume
  12. 1.3.3.01: Video-Elements of Art- Mass and Volume
  13. 1.3.04: Foundation- Principles of Design
  14. 1.3.4.01: Principles of Design- Rhythm and Pattern
  15. 1.3.4.02: Principles of Design- Unity and Variety
  16. 1.3.4.03: Principles of Design- Scale and Proportion
  17. 1.3.4.04: Principles of Design- Emphasis Focal Point and Subordination
  18. 1.3.4.05: Principles of Design- Balance
  19. 1.3.4.06: Principles of Design- Motion and Time
  20. 1.3.05: Contrast
  21. 1.3.06: Simultaneous Contrast Assignment
  22. 1.3.07: Visual Elements of Art-Line
  23. 1.3.7.01: Videos-Elements of Art- Line
  24. 02: Color Relationships and Harmony
  25. 2.01: Color Theory
  26. 2.02: Johann Wolfgang von Goethe (1749-1832)
  27. 2.03: Bauhaus (1919-1931)
  28. 2.04: Rita Mae Pettway Housetop (fractured medallion variation)
  29. 03: Color Psychology and Cultural Meaning
  30. 3.01: Cultural Characteristics and the Roots of Culture
  31. 3.02: Phoenicians (1200 BCE 539 BCE)
  32. 3.03: The Symbolic Nature of Culture
  33. 3.04: Josef Albers Homage to the Square
  34. 3.4.01: James Abbott McNeill Whistler
  35. 3.4.1.01: Symphony in White No. 1- The White Girl
  36. 3.4.1.02: Nocturne in Black and Gold- The Falling Rocket
  37. 04: The Alchemy of Color- Blending Art Light and Chemistry
  38. 4.01: Color and Color Vision
  39. 4.02: Scene Painting and Color Theory
  40. 4.03: Full Color Palette Layout
  41. 4.04: Color
  42. 4.05: Mark Rothko
  43. 4.5.01: No. 210 No. 211 (Orange) 1960
  44. 4.5.02: No. 3 No. 13
  45. 4.5.03: The Case for Mark Rothko
  46. 4.5.04: Mark Rothko (at MoMA)
  47. 4.5.05: Restoring Rothko
  48. 4.06: Color Field (1950s-1960s)
  49. 4.07: Barnett Newman
  50. 4.7.01: Onement I
  51. 4.7.02: Barnett Newman at MoMA
  52. 4.7.03: The Painting Techniques of Barnett Newman
  53. 4.7.04: Representation and abstraction- looking at Millais and Newman
  54. 05: Seeing is Believing Optical Effects
  55. 5.01: Op Art (1960s 1970s)
  56. 5.02: Kinetic Art (1950s 1960s)
  57. 5.03: Tessellations
  58. 5.3.01: Exercises
  59. 5.04: Visual System- Theories of Color Vision Depth and Motion
  60. 5.05: Dan Flavin
  61. 06: Color in Nature and Observation
  62. 6.01: Impressionism
  63. 6.02: Post-Impressionism
  64. 6.03: Fauvism Expressionism
  65. 07: Global Palettes and Color Systems
  66. 7.01: Munsell Color System
  67. 7.02: Color
  68. 08: Remix Reflect Reimagine
  69. 8.01: Yayoi Kusama
  70. 8.1.01: Narcissus Garden
  71. 8.1.02: Yayoi Kusama (Tate)
  72. 8.02: Global Concerns
  73. 8.03: Global cultures (1980 - now)
  74. 8.3.01: A beginner's guide
  75. 8.3.02: Appropriation and ideological critique
  76. 8.3.03: Identity and the body
  77. 8.3.04: Banality and Kitsch
  78. 8.3.05: Ritual spirituality and transcendence
  79. 8.3.06: Histories real and imagined
  80. 8.04: Digital Technology and Art of the 21st Century
  81. 09: Chapter Quiz Banks