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Media Studies 101
Tēnā koutou and welcome to Media Studies 101, the open educational resource for media studies studies in New Zealand, Australia, and Pacifica.
- Author
- Media Hack Team
- Publisher
- LibreTexts
- Source
- LibreTexts
- License
- CC BY
- Language
- EN
- Category
- Basic Sciences
Contents· 55 sections
- 01: Reading Media Texts
- 1.01: Analysing Texts- Media and Theory
- 1.02: Communication and Culture
- 1.03: Intercultural Communication
- 1.04: Semiotics
- 1.05: Signs and Signifiers
- 1.06: Sign Systems
- 1.07: Semiotics and Communication Processes
- 1.08: Codes
- 1.09: Two-step flow of communication
- 1.10: Gender and politics
- 1.11: Limitations of minimal effects model
- 02: Culture and Contexts
- 2.01: Ideology
- 2.02: Discourse Institutions and Power
- 2.03: Institutions
- 2.04: Discourse and Institutions
- 2.05: Media and Democracy
- 2.06: Habermas' Public Sphere
- 2.07: Who is 'the Public'
- 2.08: Media Effects - Introduction
- 2.09: The Hypodermic Needle
- 2.10: Minimal effects models - the post WWII years
- 2.11: Agenda Setting
- 2.12: Uses and gratifications model
- 2.13: Post-Cold War- strong effects model
- 2.14: Framing
- 03: Production and Structures
- 3.01: Political Economies
- 3.02: Political Economies of Mass Culture
- 3.03: The Audience Commodity
- 3.04: The Propaganda Model
- 3.05: Political Economies of Digital media
- 3.06: Commons and P2P Production
- 3.07: Political Ecologies of Media
- 3.08: Technologies
- 3.09: Technology and Agency
- 3.10: Technology and the Body
- 3.11: Technology Time and Space
- 3.12: Technology and Politics
- 3.13: Globalization and Convergence
- 3.14: Convergence
- 04: Audiences and Identity
- 4.01: Audiences and Audience Research
- 4.02: Researching Audiences
- 4.03: Consumer Cultures
- 4.04: Consumerism and Subjectivity
- 4.05: Identity and Fan Cultures
- 4.06: Impressions Management
- 4.07: Looking-Glass Self
- 4.08: Dramaturgy
- 4.09: Fandom
- 4.10: Postcolonialism Race and Ethnicity
- 4.11: Gender
- 4.12: A History of Modern Political Economy