TI
External
Tokyo in Film
This text was enthusiastically adapted from Russell Sharman's incredible Moving Pictures, linked here, and was adapted specifically to focus on cinema regarding Tokyo for the purposes of Study Abroad.
- Author
- Robert Ladd
- Publisher
- Nashville State Community College
- Source
- LibreTexts
- License
- CC BY-ND
- Language
- EN
Contents· 45 sections
- 01: Creating Your Short Film
- 1.01: Iconic Tokyo Film Map and List
- 02: Pre-Production
- 2.01: Pre-Production Guide
- 2.02: How to Watch a Movie
- 2.2.01: What is Cinema
- 2.2.02: Cinematic Language
- 2.2.03: Explicit And Implicit Meaning
- 2.2.04: Form Content and the Power of Cinema
- 2.2.05: Everyones a Critic (and a Writer)
- 2.03: Mise-en-Scene
- 2.3.01: Setting
- 2.3.02: Character
- 2.3.03: Lighting
- 2.3.04: Composition
- 2.04: Cinematography
- 2.4.01: Film versus Digital
- 2.4.02: Black and White versus Color
- 2.4.03: Light and Lighting
- 2.4.04: The Lens
- 2.05: Geometry of the Scene
- 03: Production
- 3.01: Production Guide
- 3.02: Mise-en-Scene (On Set Adjustments)
- 3.2.01: Acting
- 3.2.02: Cinematic Style
- 3.03: Cinematography (On Set Execution)
- 3.3.01: Framing the Shot
- 3.3.02: Moving the Camera
- 3.3.03: The Long Take
- 3.04: Sound Design
- 3.4.01: Sound Recording
- 3.05: Cinematic Stillness and the Power of Ma
- 04: Post-Production
- 4.01: Post Production Guide
- 4.02: Sound Design
- 4.2.01: Sound Editing
- 4.2.02: Sound Mixing
- 4.2.03: Music
- 4.03: Editing and Animation
- 4.3.01: What is Animation
- 4.3.02: Soviet Montage And The Kuleshov Effect
- 4.3.03: Editing Space and Time
- 4.3.04: Continuity Editing
- 4.04: Animated Films Editing and Sound Design