Phu Xuan University Library
Introduction to Art & Art History

External

Introduction to Art & Art History

Author
Selin Balci & Kendra Miller
Publisher
Prince George's Community College
Source
LibreTexts
License
CC BY-NC-SA
Language
EN
Contents· 156 sections
  1. 01: Prehistoric
  2. 1.01: Paleolithic
  3. 1.02: Neolithic
  4. 02: Ancient Mediterranean
  5. 2.01: Palmyra
  6. 2.02: Ancient Near East
  7. 2.03: Ancient Egypt
  8. 2.04: Ancient Aegean
  9. 2.05: Ancient Greece
  10. 2.06: Nabataean
  11. 2.07: Etruscan
  12. 2.08: Ancient Rome I
  13. 2.09: Ancient Rome II
  14. 2.10: Ancient Rome III
  15. 03: The Islamic World
  16. 3.01: A beginner's guide
  17. 3.02: Early period
  18. 3.03: Medieval period
  19. 3.04: Later period
  20. 04: Africa
  21. 4.01: Orientation to Africa and its Art
  22. 4.1.01: General Introduction
  23. 4.1.02: Gender Materials Techniques in Traditional Art
  24. 4.1.03: Training and Patronage in Traditional Art
  25. 4.1.04: Contemporary African Art- Materials Gender and Training
  26. 4.1.05: Patronage in Contemporary African Art
  27. 4.02: Themes in African Art
  28. 4.2.01: Animals
  29. 4.2.02: Coupling Up
  30. 4.2.03: Motherhood
  31. 4.2.04: Art and Youth Initiation
  32. 4.2.05: Art and Medicine
  33. 4.2.06: Art and Divination
  34. 4.2.07: Art and Death
  35. 4.2.08: Portraiture
  36. 4.2.09: African Art as Inspiration
  37. 4.03: A beginner's guide
  38. 4.04: East Africa and the Horn of Africa
  39. 4.05: West Africa
  40. 4.06: Central Africa
  41. 4.07: North Africa
  42. 4.08: Southern Africa
  43. 05: Asia
  44. 5.01: A brief history of the cultures of Asia
  45. 5.02: Hinduism Buddhism
  46. 5.03: China
  47. 5.04: Japan
  48. 5.05: Korea
  49. 5.06: Afghanistan
  50. 5.07: South Asia (I)
  51. 5.08: South Asia (II)
  52. 5.09: Southeast Asia
  53. 5.10: The Himalayas
  54. 06: Medieval Europe and Byzantine
  55. 6.01: A beginner's guide
  56. 6.02: Christianity and art
  57. 6.03: Judaism and art
  58. 6.04: Books in Medieval Europe
  59. 6.05: Early Christian
  60. 6.06: Byzantine
  61. 6.07: Early Medieval
  62. 6.08: Carolingian
  63. 6.09: Ottonian
  64. 6.10: Viking Age
  65. 6.11: Romanesque
  66. 6.12: Gothic
  67. 6.13: The Crusades
  68. 07: Europe (1300 - 1800)
  69. 7.01: A beginner's guide to the Renaissance
  70. 7.02: Italy and Spain in the 14th century- Late Gothic
  71. 7.03: Printmaking in Europe c. 14001800
  72. 7.04: Italy in the 15th century- Early Renaissance (I)
  73. 7.05: Italy in the 15th century- Early Renaissance (II)
  74. 7.06: Italy in the 16th century- High Renaissance and Mannerism (I)
  75. 7.07: Italy in the 16th century- High Renaissance and Mannerism (II)
  76. 7.08: Northern Europe in the 15th century- Northern Renaissance
  77. 7.09: Northern Europe in the 16th century- Renaissance and Mannerism
  78. 7.10: Spain in the 15th and 16th centuries- Renaissance
  79. 7.11: Reformation and Counter-Reformation
  80. 7.12: 17th century- Baroque (I)
  81. 7.13: 17th century- Baroque (II)
  82. 7.14: c. 1700 - 1775- Rococo
  83. 7.15: Late 18th century- Neoclassicism
  84. 7.16: Britain in the 18th century
  85. 08: Europe (1800 - 1900)
  86. 8.01: Becoming Modern an introduction
  87. 8.02: Romanticism
  88. 8.03: Early photography
  89. 8.04: Victorian art
  90. 8.05: Realism
  91. 8.06: Second Empire
  92. 8.07: Impressionism
  93. 8.08: Post-Impressionism
  94. 8.09: Sculpture
  95. 8.10: Symbolism Art Nouveau
  96. 8.11: Peredvizhniki
  97. 09: Oceania
  98. 9.01: Terracotta fragments Lapita people
  99. 9.02: What is the impact and legacy of Cooks voyages
  100. 9.03: Polynesia
  101. 9.04: Melanesia
  102. 9.05: Micronesia
  103. 9.06: Australia
  104. 10: Modernism and Post-Modernism Art (1900 1980)
  105. 10.01: A beginner's guide
  106. 10.02: Key concepts
  107. 10.03: Fauvism Expressionism
  108. 10.04: Cubism early abstraction (I)
  109. 10.05: Cubism early abstraction (II)
  110. 10.06: Dada and Surrealism (I)
  111. 10.07: Dada and Surrealism (II)
  112. 10.08: German art between the wars
  113. 10.09: Latin American Modernism
  114. 10.10: American art to World War II
  115. 10.11: Postwar American art (I)
  116. 10.12: Postwar American art (II)
  117. 10.13: Postwar European art
  118. 10.14: Conceptual Performance Art
  119. 10.15: Post-Minimalism
  120. 10.16: Global vanguards
  121. 10.17: Architecture and design
  122. 11: Art that brings U.S. history to life
  123. 11.01: American and National identity
  124. 11.02: Work exchange and technology
  125. 11.03: Geography and the environment
  126. 11.04: Migration and settlement
  127. 11.05: Politics and power
  128. 11.06: American and regional culture
  129. 11.07: Social structures
  130. 11.08: America in the World
  131. 12: At-risk Cultural Heritage Education Series (ARCHES)
  132. 12.01: A beginner's guide
  133. 12.02: Whose art Museums and repatriation
  134. 12.03: Ruins reconstruction and renewal
  135. 12.04: Place and identity
  136. 12.05: The many forms of iconoclasm
  137. 12.06: Destruction looting and trafficking
  138. 12.07: Documenting and protecting cultural heritage
  139. 12.08: The role of archaeology
  140. 12.09: Cultural heritage endangered round the world
  141. 12.10: What you can do now
  142. 12.11: ARCHES advisors
  143. 13: Global cultures (1980 - now)
  144. 13.01: A beginner's guide
  145. 13.02: Appropriation and ideological critique
  146. 13.03: Identity and the body
  147. 13.04: Banality and Kitsch
  148. 13.05: Ritual spirituality and transcendence
  149. 13.06: Histories real and imagined
  150. 14: North and South America (c. 14000 B.C. to 1900)
  151. 14.01: A beginner's guide
  152. 14.02: North America before c. 1500
  153. 14.03: North America c. 1500 - 1900 (I)
  154. 14.04: North America c. 1500 - 1900 (II)
  155. 14.05: South America before c. 1500
  156. 14.06: South America c. 1500 - 1900