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Introduction to Art

Nguồn ngoài

Introduction to Art

Introduction to Art provides a comprehensive global survey of artistic expression from the earliest evidence of human creativity to the diverse and technology-driven practices of the twenty-first century. The text begins by introducing the fundamental concepts of art appreciation, exploring what art is, the role of the artist, methods of art historical analysis, visual literacy, and the essential elements and principles of design that allow viewers to interpret and evaluate works of art.

Humanities
Tác giả
Laura Kramer
Nhà xuất bản
Palo Verde College
Nguồn
LibreTexts
Giấy phép
CC BY
Ngôn ngữ
EN
Đọc trực tuyến Tải PDF (nguồn mở)
Mục lục· 174 mục
  1. 01: A World Perspective of Art Appreciation
  2. 1.01: What Is Art Appreciation
  3. 1.02: Art of the Past and the Origins of Creativity
  4. 1.03: What are BCE and CE
  5. 1.04: What is an Artist
  6. 1.05: Introduction to art historical analysis
  7. 1.06: How to Compare and Contrast Art
  8. 1.07: What Are the Elements of Art and the Principles of Art
  9. 1.08: The Visual Elements
  10. 1.09: Principles of Composition
  11. 1.10: Art Materials and Methods
  12. 1.11: Chapter 1 Attributions
  13. 02: The Dawn of Art (40800 BCE 5000 BCE)
  14. 2.01: Overview
  15. 2.02: Geology of Caves
  16. 2.03: Cave Art
  17. 2.04: Handheld Art
  18. 2.05: Conclusion and Contrast
  19. 2.06: Attributions
  20. 03: The First Civilizations and their Art (5000 BCE 1900 BCE)
  21. 3.01: Overview
  22. 3.02: Aegean (3000 BCE 1000 BCE)
  23. 3.03: Early Egyptian Dynasty (3150 BCE 2686 BCE)
  24. 3.04: Early Mesopotamia (3100 BCE 2000 BCE approx.)
  25. 3.05: Indus Valley (3300 BCE 1700 BCE)
  26. 3.06: Longshan (3000 BCE 1700 BCE)
  27. 3.07: Early Jomon Period (5000 BCE 2500 BCE)
  28. 3.08: Neolithic England (3100 BCE 1600 BCE approx.)
  29. 3.09: Conclusion and Contrasts
  30. 3.10: Chapter Three Attributions
  31. 04: Learning to Build and the Evolution of Tools and Symbolic Statues (1900 BCE - 400 BCE)
  32. 4.01: Overview
  33. 4.02: Middle New and Late Kingdom Egyptian Dynasties (1366 BCE 332 BCE)
  34. 4.03: Aegean (1700 BCE 1450 BCE)
  35. 4.04: Mesopotamia (2500 BCE 330 BCE)
  36. 4.05: Phoenicians (1200 BCE 539 BCE)
  37. 4.06: Etruscan (900 BCE 600 BCE)
  38. 4.07: Shang and Zhou Dynasties (1766 BCE 256 BCE)
  39. 4.08: Late Jomon (1500 BCE 300 BCE)
  40. 4.09: Chavin (900 BCE 200 BCE)
  41. 4.10: Olmec (1500 BCE 400 BCE)
  42. 4.11: Early and Middle Pre-Classic Mayan (2000 BCE 400 BCE)
  43. 4.12: Conclusion and Contrast
  44. 4.13: Chapter 4 Attributions
  45. 05: The Transition of Art (400 BCE 200 CE)
  46. 5.01: Overview
  47. 5.02: Roman Empire (27 BCE 393 CE)
  48. 5.03: Classical and Hellenistic Greece (510 BCE 31 BCE)
  49. 5.04: Nok (700 BCE 300 BCE)
  50. 5.05: Qin Dynasty (221 BCE - 206 BCE)
  51. 5.06: Yayoi Period (300 BCE 300 CE)
  52. 5.07: Nazca (100 BCE 800 CE)
  53. 5.08: Moche (100 CE 800 CE)
  54. 5.09: Chapter Five Attributions
  55. 06: The Sophisticated Art of Cultures (200 CE 1400 CE)
  56. 6.01: Overview
  57. 6.02: Late Roman Empire (3rd C 6th C)
  58. 6.03: Byzantine (330 CE 1453 CE)
  59. 6.04: Islamic Golden Age (mid 7th C mid 13th C)
  60. 6.05: Viking (Late 8th C late 11th C)
  61. 6.06: Romanesque (1000 CE 1150 CE)
  62. 6.07: Gothic (12th C end of 15th C)
  63. 6.08: Igbo of Nigeria (10th C 13th C)
  64. 6.09: Djenne of Mali (9th C 15th C)
  65. 6.10: Gupta Period (320 CE 550 CE)
  66. 6.11: Khmer Empire (802 CE 1431 CE)
  67. 6.12: Song Dynasty (960 CE 1276 CE)
  68. 6.13: Asuka Nara and Heian Periods (538 CE 1185 CE)
  69. 6.14: Rapa Nui Island (7th CE est. ongoing)
  70. 6.15: Ancestral Puebloans (700 CE 1300 CE)
  71. 6.16: Mayan Classic Period (250 CE 1539 CE)
  72. 6.17: Incan Empire (Early 12th C 1572)
  73. 6.18: Aztecs (14th 16th)
  74. 6.19: Chapter Six Attributions
  75. 07: The Sacred Buildings of Civilizations (200 CE 1400 CE)
  76. 7.01: Overview
  77. 7.02: Byzantine Hagia Sophia (537 CE)
  78. 7.03: Jerusalem Dome of the Rock (691 CE)
  79. 7.04: Islamic Golden Age Umayyad Mosque (715 CE)
  80. 7.05: Viking Borgund Stave Church (Around 1180 CE)
  81. 7.06: Romanesque Sant Climent de Taull (1123 CE)
  82. 7.07: Gothic Notre Dame (Started 1163 CE)
  83. 7.08: Ethiopian Lalibela Church Complex (12th and 13th Centuries)
  84. 7.09: Gupta Period Mahabodhi Temple (5th or 6th Century)
  85. 7.10: Khmer Empire Bayon Temple (13th Century)
  86. 7.11: Song Dynasty Six Harmonies Pagoda (970 CE)
  87. 7.12: Asuka Nara Heian Periods Konpon Daito Pagoda (887 CE)
  88. 7.13: Mayan Classic Period Kukulkan Temple (900 CE)
  89. 7.14: Incan Temple of the Sun (Mid 1400 CE)
  90. 7.15: Aztec Templo Mayor (1326 CE)
  91. 7.16: Chapter 7 Attributions
  92. 08: Renaissance - The Growth of Europe (1400 CE 1550 CE)
  93. 8.01: Overview
  94. 8.02: Renaissance Artists
  95. 8.03: Conclusion and Contrast
  96. 8.04: Chapter Eight Attributions
  97. 09: The Beginning of Colonization (1550 CE 1750 CE)
  98. 9.01: Overview
  99. 9.02: Northern European Baroque (1580s early 1700)
  100. 9.03: Italian Baroque (1580s early 1700)
  101. 9.04: Spanish Baroque (1580s early 1700)
  102. 9.05: Mexican Baroque (1640 mid 1700s)
  103. 9.06: Rococo (1730 1760)
  104. 9.07: Benin Kingdom (1100 1897)
  105. 9.08: Mughal Period (1526 1857)
  106. 9.09: Kano School (Late 15th century 1868)
  107. 9.10: Qing Period (1636 1911)
  108. 9.11: Conclusion and Contrast
  109. 9.12: Chapter 9 Attributions
  110. 10: The New World Grows (1700 CE 1800 CE)
  111. 10.01: Portraits (18th Century)
  112. 10.02: George Washington Portraits (18th Century)
  113. 10.03: Early American Folk Art (1650 1900)
  114. 10.04: New World Furniture and Crafts (18th Century)
  115. 10.05: Natural History Illustration (18th Century)
  116. 10.06: Textiles (Ongoing)
  117. 10.07: Conclusion and Contrast
  118. 10.08: Chapter 10 Attributions
  119. 11: The Industrial Revolution (1800 CE 1899 CE)
  120. 11.01: Overview
  121. 11.02: Romanticism (1780-1850)
  122. 11.03: Realism (1848 1870)
  123. 11.04: Hudson River School (1850s 1880)
  124. 11.05: Shanghai School of Art (Late 19th Century)
  125. 11.06: Edo Period (1615 1868)
  126. 11.07: Impressionism (1860 1890)
  127. 11.08: Post-Impressionism (1885 1905)
  128. 11.09: Art Nouveau (1890 1914)
  129. 11.10: Photography (Since 1826)
  130. 11.11: Conclusion and Contrast
  131. 11.12: Attributions
  132. 11.13: The World is One (1960 CE 1990s CE)
  133. 12: The Modern Art Movement (1900 CE 1930 CE)
  134. 12.01: Overview
  135. 12.02: American Modernism (1900 1930s)
  136. 12.03: Fauvism (1900 1935)
  137. 12.04: Expressionism (1905 1930)
  138. 12.05: Cubism (1907 1914)
  139. 12.06: Dada (1916 1930)
  140. 12.07: The Bauhaus (1919-1933)
  141. 12.08: Harlem Renaissance (1920 1930)
  142. 12.09: Canadian Group of Seven (1920 1933)
  143. 12.10: Conclusion and Contrast
  144. 12.11: Chapter 12 Attributions
  145. 13: The World is One (1930 1970)
  146. 13.01: Overview
  147. 13.02: 20th Century Architecture
  148. 13.03: Sculptures
  149. 13.04: Photography
  150. 13.05: Mexican Murals and Social Art
  151. 13.06: Works Progress Administration Murals
  152. 13.07: Nihonga and Yoga Style
  153. 13.08: Surrealism
  154. 13.09: Conclusion and Contrast
  155. 13.10: Chapter 13 Attributions
  156. 14: The World is One (1960 CE 1990s CE)
  157. 14.01: Overview
  158. 14.02: Pop Art
  159. 14.03: Op Art
  160. 14.04: Abstract Expressionism
  161. 14.05: Minimalism
  162. 14.06: San Francisco Bay Area Figurative
  163. 14.07: First Nation Group of Seven
  164. 14.08: Quilting
  165. 14.09: Conclusion and Contrast
  166. 14.10: Chapter 14 Attributions
  167. 15: The New Millennium (2000 - 2020)
  168. 15.01: Overview
  169. 15.02: Installation and Sculpture
  170. 15.03: Architecture for the 21st Century
  171. 15.04: Digital Art
  172. 15.05: Contemporary Figurative
  173. 15.06: Conclusion and Contrast
  174. 15.07: Chapter 15 Attributions