Nguồn ngoài

Equipping the Musical Ear

Equipping the Musical Ear is designed to be used in conjunction with beginning music theory courses. This text explores the different areas of focus for standard ear training or aural skills courses (sight singing, rhythmic dictation and performance, melodic dictation, intervals, and harmonic dictation), but in an open educational text and workbook format.

Humanities

Tác giả: Sierra College
Nhà xuất bản: Lauren C. Sharkey
Nguồn: LibreTexts
Giấy phép: CC BY-NC
Ngôn ngữ: EN

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Mục lục· 223 mục

01: Pitch
1.01: Pitch Introduction
1.02: Pitch Class
1.03: Solfege Methods
1.3.01: Solfege Syllable Check-In Quiz
1.04: Curwen Hand Signs
1.05: Pitch Patterns
1.06: Lab Activities
1.07: Additional Practice
02: Simple Meters
2.01: Simple Meters Introduction
2.02: Beat Patterns
2.03: Duple Meter
2.3.01: Duple Conducting Pattern
2.04: Triple Meter
2.4.01: Triple Conducting Pattern
2.05: Quadruple Meter
2.5.01: Quadruple Conducting Pattern
2.06: Simple Meter
2.6.01: Simple Meter Check-In Quiz
2.07: Counting Methods
2.08: Lab Activities
2.09: Additional Practice
03: Rhythmic Dictation
3.01: Rhythmic Dictation Introduction
3.02: Rhythmic Values Review
3.03: Benefits of Practicing Dictation
3.04: Process of Dictation
3.05: Beat Boxes
3.5.01: Identifying Sounds on a Beat
3.5.02: Ties with Beat Boxes
3.06: Counting Method for Dictation
3.07: Lab Activities
3.08: Additional Practice
04: Compound Meter
4.01: Compound Meter Introduction
4.02: Simple Meter vs. Compound Meter
4.03: Compound Duple Meter
4.3.01: Compound Duple Meter Conducting Pattern
4.04: Compound Triple Meter
4.4.01: Compound Triple Meter Conducting Pattern
4.05: Compound Quadruple Meter
4.5.01: Compound Quadruple Meter Conducting Pattern
4.06: Beat Boxes for Compound Meter
4.07: Lab Activities
4.08: Additional Practice
4.09: Practice Exercises
05: Minor Keys
5.01: Minor Keys Introduction
5.02: Three Forms of the Minor Scale
5.2.01: Natural Minor
5.2.02: Harmonic Minor
5.2.03: Melodic Minor
5.03: Minor Solfege
5.04: Curwen Hand Signs for Lowered Pitches
5.05: Lab Activities
5.06: Additional Practice
06: Intervals
6.01: Intervals Introduction
6.02: Melodic vs. Harmonic
6.03: Major Minor and Perfect
6.04: Consonant vs. Dissonant
6.05: Song Cues
6.06: Combining Intervals
6.07: The Singing and Hearing Connection
6.08: Lab Activities
6.09: Additional Practice
6.9.01: Interval Quiz
07: Beat Divisions
7.01: Beat Divisions Introduction
7.02: Simple Meter Beat Divisions
7.2.01: Eighth Notes
7.2.02: Sixteenth Notes
7.2.03: Triplets
7.03: Compound Meter Beat Divisions
7.3.01: Sixteenth Notes
7.04: Lab Activities
7.05: Additional Practice
08: Triads
8.01: Triads Introduction
8.02: Triad Qualities
8.03: Triads in a Major Key
8.04: Hearing Triads
8.05: Lab Activities
8.06: Additional Practice
09: Basic Cadences
9.01: Basic Cadences Introduction
9.02: Conclusive vs. Inconclusive Cadences
9.03: Cadence Types
9.3.01: Perfect Authentic Cadence
9.3.02: Imperfect Authentic Cadence
9.3.03: Half Cadence
9.04: Lab Activities
9.05: Additional Practice
10: Seventh Chords
10.01: Seventh Chords Introduction
10.02: Seventh Chord Qualities
10.2.01: Dominant Seventh
10.2.02: Major Seventh
10.2.03: Minor Seventh
10.2.04: Diminished Seventh
10.2.05: Half-Diminished Seventh
10.03: Seventh Chord Inversions
10.04: Hearing Seventh Chords
10.05: Interval Practice- Minor 7th and Major 7th
10.06: Lab Activities
10.07: Additional Practice
11: Modes
11.01: Modes Introduction
11.02: Characteristics of Each Mode
11.2.01: Ionian
11.2.02: Dorian
11.2.03: Phrygian
11.2.04: Lydian
11.2.05: Mixolydian
11.2.06: Aeolian
11.2.07: Locrian
11.03: Major Modes vs. Minor Modes
11.04: Different Ways to Think About Modes
11.05: Using Moveable Do Solfege for Modes
11.06: Lab Activities
11.07: Additional Practice
12: Additional Time Signatures and Rhythmic Patterns
12.01: Additional Time Signatures and Rhythmic Patterns Introduction
12.02: Additional Time Signatures
12.03: Dotted Sixteenth Note Patterns
12.04: Ties
12.05: Dictation Techniques
12.06: Lab Activities
12.07: Additional Practice
13: Melodic Embellishments
13.01: Melodic Embellishments Introduction
13.02: Passing Tone
13.03: Neighbor Tone
13.04: Escape Tone
13.05: Appoggiatura
13.06: Suspensions
13.07: Additional Classifications
13.08: Lab Activities
13.09: Additional Practice
14: Phrases Additional Cadences and Form
14.01: Phrases Cadences and Form Introduction
14.02: Motives and Phrases
14.2.01: Motives
14.2.02: Phrases
14.03: Cadences
14.3.01: Cadence Review
14.3.02: Plagal Cadence
14.3.03: Deceptive Cadence
14.04: Phrase Classifications
14.4.01: Parallel vs. Contrasting
14.05: Periods
14.5.01: Other Periods
14.06: Additional Dictation Tips
14.07: Lab Activities
14.08: Additional Practice
15: Half Note Beat-Units
15.01: Half Note Beat-Units Introduction
15.02: Simple Meter Beat Divisions
15.2.01: Common Patterns
15.2.02: Counting
15.2.03: Triplets
15.03: Compound Meter Beat Divisions
15.3.01: Common Patterns
15.04: Lab Activities
15.05: Additional Practice
16: Functional Harmony and Syncopation
16.01: Functional Harmony and Syncopation Introduction
16.02: Circle of Fifths
16.03: Dominant Seventh Review
16.04: Predominant Harmonies
16.05: Overview of Functional Harmony
16.06: Syncopation
16.07: Lab Activities
16.08: Additional Practice
17: Harmonic Dictation
17.01: Harmonic Dictation Introduction
17.02: Review of Cadences
17.03: Review of Common Progressions
17.04: Listening to Two Lines
17.05: Harmonic Dictation Tips
17.06: Lab Activities
17.07: Additional Practice
18: 6 4 Chords
18.01: 6 4 Chords Introduction
18.02: Cadential 6 4
18.03: Pedal 6 4
18.04: Passing 6 4
18.05: Purpose of Common Progressions
18.06: Lab Activities
18.07: Additional Practice
19: Syncopated Subdivisions
19.01: Syncopated Subdivisions Introduction
19.02: Natural Stress in Meter
19.03: Common Patterns in Simple Meter
19.04: Common Patterns in Compound Meter
19.05: Counting
19.06: Personal Practice
19.07: Lab Activities
19.08: Additional Practice
20: Compound Triplets and Super Duplets
20.01: Compound Triplets and Super Duplets Introduction
20.02: Simple Meter Compound Triplets
20.03: Simple Meter Super Duplets
20.04: Compound Meter Super Duplets
20.05: Personal Practice
20.06: Lab Activities
20.07: Additional Practice
21: Diminished Chords
21.01: Diminished Chords Introduction
21.02: Diminished Seventh Chords
21.03: Uses for Diminished Chords
21.04: Hearing Diminished Chords
21.05: Diminished Chords in Major and Minor Keys
21.06: Lab Activities
21.07: Additional Practice
22: Introduction to Secondary Dominants
22.01: Secondary Dominants Introduction
22.02: Raised Fourth Scale Degree
22.03: What is a Secondary Dominant
22.04: Identifying Secondary Dominants
22.05: Lab Activities
22.06: Additional Practice