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SmartHistory of Art IXa- Modernisms 1900 to ~1945

Art Humanities

Tác giả: Smarthistory
Nhà xuất bản: Smarthistory
Nguồn: LibreTexts
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Ngôn ngữ: EN

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01: A beginner's guide
1.01: An Introduction to photography in the early 20th century
1.02: Contemporary Art an introduction
1.03: Representation and abstraction- looking at Millais and Newman
1.04: Art and context- Monets Cliff Walk at Pourville and Malevichs White on White
02: Key concepts
2.01: Modern art and reality
2.02: Expression and modern art
2.03: Primitivism and Modern Art
2.04: Formalism I- Formal Harmony
2.05: Formalism II- Truth to Materials
03: Fauvism Expressionism
3.01: Fauvism
3.1.01: Women in the Interior I Museums Without Borders
3.1.02: Fauvism an introduction
3.1.03: Fauve Landscapes and City Views
3.1.04: Andre Derain The Dance
3.1.05: Henri Matisse
3.1.5.01: Luxe calme et volupte
3.1.5.02: Open Window Collioure
3.1.5.03: Bonheur de Vivre
3.1.5.04: Dance I
3.1.5.05: The Red Studio
3.1.5.06: The Blue Window
3.1.5.07: Goldfish
3.1.5.08: The Piano Lesson
3.1.5.09: The illustrated book Jazz
3.1.5.10: The Dance at the Barnes Foundation
3.02: Expressionism
3.2.01: Expressionism an introduction
3.2.02: Expressionism as Nordic
3.2.03: Der Blaue Reiter
3.2.04: Ernst Ludwig Kirchner
3.2.4.01: Self-Portrait As a Soldier
3.2.4.02: Street Dresden
3.2.4.03: Street Berlin
3.2.05: Paula Modersohn-Becker Self-Portrait Nude with Amber Necklace Half-Length I
3.2.06: Emil Nolde Young Couple
3.2.07: Alexej von Jawlensky Young Girl in a Flowered Hat
3.2.08: 3.2.8-Vasily Kandinsky
3.2.8.01: Kandinsky Apocalypse Abstraction
3.2.8.02: Improvisation 28 (second version)
3.2.8.03: Klange (Sounds)
3.2.09: Franz Marc and the animalization of art
3.2.10: Egon Schiele
3.2.10.01: Seated Male Nude (Self-Portrait)
3.2.10.02: Nazi looting- Egon Schieles Portrait of Wally
3.2.10.03: The Hermits
3.2.10.04: Wangechi Mutu on Egon Schiele
04: Cubism early abstraction
4.01: The Case for Abstraction
4.02: Abstract art and Theosophy
4.03: Who created the first abstract artwork
4.04: Beginner's Guide to Cubism
4.4.01: Pablo Picasso and the new language of Cubism
4.4.02: Inventing Cubism
4.4.03: Cubism and multiple perspectives
4.4.04: Synthetic Cubism Part I
4.4.05: Synthetic Cubism Part II
4.4.06: Salon Cubism
4.05: Pablo Picasso
4.5.01: How to paint like Pablo Picasso (Cubism)
4.5.02: Picassos Early Work
4.5.03: Guernica
4.5.04: Portrait of Gertrude Stein
4.5.05: Les Demoiselles d'Avignon
4.5.06: Pablo Picasso Three Women
4.5.07: 4.5.7-The Reservoir Horta de Ebro
4.5.08: Pablo Picasso Portrait of Daniel-Henry Kahnweiler
4.5.09: Still Life with Chair Caning
4.5.10: Pablo Picasso The Three Musicians
4.5.11: Guitar
4.06: Georges Braque
4.6.01: Le Viaduc a L'Estaque (The Viaduct at L'Estaque)
4.6.02: Georges Braque Violin and Palette
4.6.03: Georges Braque and Pablo Picasso- Two Cubist Musicians
4.6.04: The Portuguese
4.07: Cubist sculpture
4.7.01: Cubist Sculpture I
4.7.02: Cubist Sculpture II
4.7.03: Juan Gris The Table
4.7.04: The Cubist City Robert Delaunay and Fernand Leger
4.08: Fernand Leger
4.8.01: Contrast of Forms
4.8.02: Untitled (Fireplace Mural)
4.09: Simultanism (Orphism)
4.9.01: Sonia Delaunay
4.9.02: Robert Delaunay
4.9.03: Robert Delaunay Simultaneous Contrasts- Sun and Moon
4.10: Russian avant-garde
4.10.01: Russian Neo-Primitivism- Natalia Goncharova and Mikhail Larionov
4.10.02: Kazmir Malevich Suprematist Composition- White on White
4.10.03: Kasimir Malevich and Cubo-Futurism
4.10.04: Suprematism Part I- Kasimir Malevich
4.10.05: Suprematism Part II- El Lissitzky
4.10.06: Constructivism Part I
4.10.07: Constructivism Part II
4.10.08: Tatlins Tower
4.10.09: Varvara Stepanova The Results of the First Five-Year Plan
4.11: Purism
4.12: School of Paris
4.12.01: Marc Chagall Half-Past Three (The Poet)
4.12.02: Amedeo Modigliani Young Woman in a Shirt
4.12.03: Constantin Brancusi the Kiss
4.13: Photography
4.13.01: Henri Cartier-Bresson Behind the Gare Saint-Lazare
4.13.02: Alexander Rodchenko At the Telephone
4.14: De Stijl
4.14.01: De Stijl Part I- Total Purity
4.14.02: De Stijl Part II- Near-Abstraction and Pure Abstraction
4.14.03: De Stijl Part III- The Total De Stijl Environment
4.14.04: Piet Mondrian
4.14.4.01: Composition with Red Blue and Yellow
4.14.4.02: Composition No. II with Red and Blue
4.14.4.03: TateShots- Piet Mondrian
05: Italian art before WWI
5.01: Futurism
5.1.01: Italian Futurism- An Introduction
5.1.02: Futurist Free Word Painting
5.1.03: Umberto Boccioni and the Futurist City
5.1.04: Umberto Boccioni Unique Forms of Continuity in Space
5.1.05: Gino Severini Dynamic Hieroglyph of the Bal Tabarin
5.1.06: Giacomo Balla Street Light
5.1.07: Carlo Carra Funeral of the Anarchist Galli
5.1.08: Raymond Duchamp-Villon Horse
5.02: Metaphysical Art
5.2.01: Giorgio de Chirico The Soothsayers Recompense
06: British art and literature
6.01: British Art and Literature During WWI The Old Guitarist and the question of beauty
07: Dada Surrealism
7.01: Dada
7.1.01: A beginner's guide to Dada
7.1.1.01: Introduction to Dada
7.1.1.02: Dada Manifesto
7.1.1.03: Dada Pataphysics
7.1.1.04: Dada Politics
7.1.1.05: Dada Collage
7.1.1.06: Dada Readymades
7.1.1.07: Dada Performance
7.1.02: Marcel Duchamp
7.1.2.01: Nude Descending a Staircase No 2
7.1.2.02: Art as concept- In Advance of the Broken Arm
7.1.2.03: Fountain
7.1.2.04: The Bride Stripped Bare by Her Bachelors Even (The Large Glass)
7.1.2.05: Boite-en-valise Series F
7.1.2.06: Marcel Duchamp and the Viewer
7.1.03: Max Ernst Two Children Are Threatened by a Nightingale
7.1.04: Raoul Hausmann Spirit of the Age- Mechanical Head
7.1.05: Dada's Aproximate Man- A Portrait of Tristan Tzara (1919) by Marcel Janco
7.1.06: Hannah HochCut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany (essay)
7.1.07: Francis Picabia Ideal
7.02: Surrealism
7.2.01: A beginner's guide
7.2.1.01: Surrealism an introduction
7.2.1.02: The Case for Surrealism
7.2.1.03: Surrealism- Origins and Precursors
7.2.1.04: Surrealism and Psychoanalysis
7.2.1.05: Surrealist Techniques- Automatism
7.2.1.06: Surrealist Techniques- Subversive Realism
7.2.1.07: Surrealist Techniques- Collage
7.2.1.08: Surrealist Photography
7.2.1.09: Surrealist Exhibitions
7.2.1.10: Surrealism and Women
7.2.1.11: A brief guide to Egyptian Surrealism
7.2.02: Man Ray The Gift
7.2.03: Rene Magritte The Treachery of Images (Ceci nest pas une pipe)
7.2.04: Salvador Dali
7.2.4.01: The Persistence of Memory
7.2.4.02: Metamorphosis of Narcissus
7.2.05: Alberto Giacometti The Palace at 4 a.m.
7.2.06: Meret Oppenheim Object (Fur-covered cup saucer and spoon)
08: German and Italian art between the wars
8.01: Prints and photography
8.1.01: Kathe Kollwitz In Memoriam Karl Liebknecht
8.1.02: August Sander Portraits
8.1.03: Umbo The Roving Reporter
8.1.04: Horst P. Horst Mainbocher Corset Paris
8.1.05: Lotte Jacobi Head of a Dancer
8.1.06: Gertrud Arndt Self-Portrait with Veil
8.02: Bauhaus
8.2.01: The Bauhaus an Introduction
8.2.02: The Bauhaus and Bau
8.2.03: The Bauhaus- Marcel Breuer
8.2.04: The Bauhaus- Marianne Brandt
8.2.05: Lyonel Feininger Cathedral for Program of the State Bauhaus in Weimar
8.2.06: Paul Klee Twittering Machine (Die Zwitscher-Maschine)
8.2.07: Laszlo Moholy-Nagy
8.2.7.01: Telephone Pictures
8.2.7.02: Photogram
8.2.7.03: Composition A.XX
8.2.7.04: Climbing the Mast
8.03: New Objectivity
8.3.01: Neue Sachlichkeit (New Objectivity) An Introduction
8.3.02: Christian Schad Self-Portrait
8.3.03: George Grosz Remembering
8.04: Nazi and Fascist visual culture
8.4.01: Paul Troost House of (German) Art
8.4.02: Art in Nazi Germany
8.4.03: What is- Degenerate Art
8.4.04: Murals and Public Art in 1930s Rome
8.4.05: The Mausoleum of Augustus and the Piazza Augusto Imperatore in Rome