Nguồn ngoài

American Encounters: Art, History, and Cultural Identity

American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions.

Art Humanities

Tác giả: Angela L Miller, Janet Catherine Berlo, Bryan J Wolf, and Jennifer L Roberts
Nhà xuất bản: LibreTexts
Nguồn: LibreTexts
Giấy phép: CC BY-NC-SA
Ngôn ngữ: EN

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Mục lục· 113 mục

01: The Art of Indigenous Americans before 1500 C.E.
01: The Art of Indigenous Americans BEFORE 1500 C.E.
1.01: The Art of the Eastern Woodlands
1.02: Arctic Alaska
1.03: Ancient Art of the 'southwest
1.04: Conclusion
02: The Old World and the New- First Phases of Encounter 1492-1750
2.01: European Images of the New World- The First Century
2.02: Indigenous Eastern North America- Forging a Middle Ground
2.03: Northern New Spain- Crossroads of Cultures
2.04: Conclusion
03: Early Colonial Arts 1632-1734
3.01: Designing Cities Partitioning Land Imaging Utopia
3.02: Seventeenth-Century Painting- Puritans in Kid Gloves
3.03: Hispanic Village Arts
3.04: Architecture and Memory
3.05: Design Material Culture and the Decorative Arts
3.06: Representing Race- Black in Colonial America
3.07: Conclusion
04: Late Colonial Encounters- The New World Africa Asia and Europe 1735-1797
4.01: The African Diaspora
4.02: Virginia- Eighteenth-Century Land Art
4.03: Palladio and Georgian Building
4.04: The Mission System in Texas Arizona and California
4.05: The Crafted Object
4.06: Artists Painting
4.07: Conclusion
02: The Old World and the New- First Phases of Encounter 1492-1750
05: Art Revolution and The New Nation 1776-1828
5.01: The American Revolution in Print Paint and Action
5.02: Classical America
5.03: Painting in the New Nation
5.04: Conclusion
06: The Body Politic 1828-1865
6.01: The Language of Emotion
6.02: Art of the People
6.03: The Cultural Work of Genre Painting
6.04: Conclusion
07: Native and European Arts at the Boundaries of Culture- The Frontier West and Pacific Northwest 1820s-1850s
7.01: Plains Cultures of the West- From Both Sides
7.02: Living Traditions and Icons of Defeat
7.03: Native Arts of Alaska
7.04: Conclusion
08: Nature's Nation 1820-1865
8.01: Why Paint Landscapes
8.02: The Sublime- The Formation and Development of the Hudson River School of Painting
8.03: Representing War
8.04: Conclusion
03: Early Colonial Arts 1632-1734
09: Post-War Challenges- Reconstruction the Centennial Years and Beyond 1865-1900
9.01: Representing Race- From Emancipation to Jim Crow
9.02: Facing Off- Divided Loyalties
9.03: The Post-War West- Expansion Incorporation and the Persistence of the Local 1860-1900
9.04: The Clash of Cultures From Both Sides
9.05: Conclusion
10: A New Internationalism- The Arts in an Expanding World 1876-1900
10.01: The Cosmopolitan Spirit in American Art
10.02: The New American Architecture
10.03: Reform and Innovation- Handcraft and Mechanization in the Decorative Arts 1860-1900
10.04: Conclusion
11: Exploration and Retrenchment- The Arts in Unsettling Times 1890-1900
11.01: Victorian into Modern- Exploring the Boundaries between Mind and World
11.02: Feminine Masculine- Gender and Late-Nineteenth Century Arts
11.03: Reasserting Cultural Authority
11.04: Photography and Modernity
11.05: Conclusion
04: Late Colonial Encounters- The New World Africa Asia and Europe 1735-1797
12: The Arts Confront the New Century- Renewal and Continuity 1900-1920
12.01: Early-Twentieth-Century Urban Realism
12.02: The Road to Abstraction
12.03: Photography- From Pictorialism to Straight
12.04: Conclusion
13: Transnational Exchanges- Modernism and Modernity Beyond Borders 1913-1940
13.01: American Apprenticeship to European Modernism
13.02: American Modernity From Both Sides
13.03: Sculpture- The Primitive and the Modern
13.04: Architectural Encounters- Transnational Circuits
13.05: Conclusion
14: The Arts and the City 1913-1940
14.01: The Skyscraper in Architecture and the Arts
14.02: The Urban Industrial Image 1910-30
14.03: The Commercial Landscape of the Everyday
14.04: The Human City- Spectacle Memory Desire
14.05: Conclusion
15: Searching for Roots 1918-1940
15.01: The Rediscovery of America
15.02: Preservation Tradition and Reinvention in the Twentieth Century
15.03: Festivals- Invented Traditions and Ancestral Memories
15.04: The New Negro Movement and Versions of a Black Art
15.05: Conclusion
16: Social Visions- The Arts in the Depression years 1929-1941
16.01: The Depression and the Narrative Impulse
16.02: Federal Patronage- Roosevelt's Works Progress Administration (WPA)
16.03: The Varieties of Photographic Documentary
16.04: Design and Architecture in the 1930s- Corporate Patronage and Individual Genius
16.05: Conclusion
17: Cold War and the Age of the Atom- Consensus and Anxiety 1945-1960
17.01: The Crisis of the Subject- From Narrative to Myth and Symbol in the 1940s
17.02: The Triumph of Abstract Expressionism and Beyond
17.03: Photography- From Photojournalism to the Eccentric Eye
17.04: Post-war Design and the Domestication of Modernism
17.05: Conclusion
05: Art Revolution and The New Nation 1776-1828
18: Art into Life 1960-1980
18.01: The Space and Objects of Everyday Life- Performance Pop and Minimalism
18.02: The Figure in Crisis
18.03: American Spaces Revisited
18.04: Conclusion
19: American Art in Flux 1980-Present
19.01: Decenterings- The 1980s
19.02: The New Arts of Memory
19.03: Contemporary American Art and Globalization
19.04: Conclusion