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Understanding Color Theory in Artistic Contexts

Nguồn ngoài

Understanding Color Theory in Artistic Contexts

Humanities
Tác giả
drodenhauser
Nhà xuất bản
Taft College
Nguồn
LibreTexts
Ngôn ngữ
EN
Đọc trực tuyến Tải PDF (nguồn mở)
Mục lục· 81 mục
  1. 01: Getting to Know Color
  2. 1.01: Color Terms
  3. 1.02: High Renaissance
  4. 1.03: Foundation- Visual Elements of Art
  5. 1.3.01: Visual Elements of Art-Shape
  6. 1.3.1.01: Videos-Elements of Art- Shape and Contrast
  7. 1.3.1.1.01: Visual Elements of Art-Color and Value
  8. 1.3.02: Visual Elements of Art-Texture
  9. 1.3.2.01: Visual Elements of Art- Space and Perspective
  10. 1.3.2.1.01: Videos- Space and Perspective
  11. 1.3.03: Elements of Art- Mass and Volume
  12. 1.3.3.01: Video-Elements of Art- Mass and Volume
  13. 1.3.04: Foundation- Principles of Design
  14. 1.3.4.01: Principles of Design- Rhythm and Pattern
  15. 1.3.4.02: Principles of Design- Unity and Variety
  16. 1.3.4.03: Principles of Design- Scale and Proportion
  17. 1.3.4.04: Principles of Design- Emphasis Focal Point and Subordination
  18. 1.3.4.05: Principles of Design- Balance
  19. 1.3.4.06: Principles of Design- Motion and Time
  20. 1.3.05: Contrast
  21. 1.3.06: Simultaneous Contrast Assignment
  22. 1.3.07: Visual Elements of Art-Line
  23. 1.3.7.01: Videos-Elements of Art- Line
  24. 02: Color Relationships and Harmony
  25. 2.01: Color Theory
  26. 2.02: Johann Wolfgang von Goethe (1749-1832)
  27. 2.03: Bauhaus (1919-1931)
  28. 2.04: Rita Mae Pettway Housetop (fractured medallion variation)
  29. 03: Color Psychology and Cultural Meaning
  30. 3.01: Cultural Characteristics and the Roots of Culture
  31. 3.02: Phoenicians (1200 BCE 539 BCE)
  32. 3.03: The Symbolic Nature of Culture
  33. 3.04: Josef Albers Homage to the Square
  34. 3.4.01: James Abbott McNeill Whistler
  35. 3.4.1.01: Symphony in White No. 1- The White Girl
  36. 3.4.1.02: Nocturne in Black and Gold- The Falling Rocket
  37. 04: The Alchemy of Color- Blending Art Light and Chemistry
  38. 4.01: Color and Color Vision
  39. 4.02: Scene Painting and Color Theory
  40. 4.03: Full Color Palette Layout
  41. 4.04: Color
  42. 4.05: Mark Rothko
  43. 4.5.01: No. 210 No. 211 (Orange) 1960
  44. 4.5.02: No. 3 No. 13
  45. 4.5.03: The Case for Mark Rothko
  46. 4.5.04: Mark Rothko (at MoMA)
  47. 4.5.05: Restoring Rothko
  48. 4.06: Color Field (1950s-1960s)
  49. 4.07: Barnett Newman
  50. 4.7.01: Onement I
  51. 4.7.02: Barnett Newman at MoMA
  52. 4.7.03: The Painting Techniques of Barnett Newman
  53. 4.7.04: Representation and abstraction- looking at Millais and Newman
  54. 05: Seeing is Believing Optical Effects
  55. 5.01: Op Art (1960s 1970s)
  56. 5.02: Kinetic Art (1950s 1960s)
  57. 5.03: Tessellations
  58. 5.3.01: Exercises
  59. 5.04: Visual System- Theories of Color Vision Depth and Motion
  60. 5.05: Dan Flavin
  61. 06: Color in Nature and Observation
  62. 6.01: Impressionism
  63. 6.02: Post-Impressionism
  64. 6.03: Fauvism Expressionism
  65. 07: Global Palettes and Color Systems
  66. 7.01: Munsell Color System
  67. 7.02: Color
  68. 08: Remix Reflect Reimagine
  69. 8.01: Yayoi Kusama
  70. 8.1.01: Narcissus Garden
  71. 8.1.02: Yayoi Kusama (Tate)
  72. 8.02: Global Concerns
  73. 8.03: Global cultures (1980 - now)
  74. 8.3.01: A beginner's guide
  75. 8.3.02: Appropriation and ideological critique
  76. 8.3.03: Identity and the body
  77. 8.3.04: Banality and Kitsch
  78. 8.3.05: Ritual spirituality and transcendence
  79. 8.3.06: Histories real and imagined
  80. 8.04: Digital Technology and Art of the 21st Century
  81. 09: Chapter Quiz Banks