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HUM 301: Introduction to the Humanities

This is a non-chronological text that introduces the humanities, primarily architecture, music, painting, poetry, sculpture, theatre, and film. Emphasis is on identifying, appreciating, analyzing, interpreting, and understanding various masterworks, primarily from Europe and America.

Humanities

Tác giả: Marnie Binder
Nhà xuất bản: Cosumnes River College
Nguồn: LibreTexts
Ngôn ngữ: EN

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Mục lục· 149 mục

01: The Humanities- Art Appreciation
1.01: What is Art
1.02: What Is Art Appreciation
1.03: How to Compare and Contrast Art
1.04: Art Materials and Methods - Key Terms
1.05: The Start of Art - Overview
1.06: Cave Art
02: The Elements of Art
2.01: Visual Elements of Art
2.02: Content - Types of Art
2.03: Module 1- Elements and Principles of Design
2.3.01: Types of Representation
2.3.02: Reading- Representational Abstract and Nonrepresentational Art
2.3.03: Putting It Together
2.3.04: Why It Matters
2.3.05: Form and Content
2.3.06: Reading- Formalism and Content
2.3.07: Video- Introducing Formal Analysis- Landscape
2.3.08: Elements of Design
2.3.09: Reading- Artistic Elements
2.3.10: Videos- Elements of Art
2.3.11: Principles of Design
2.3.12: Reading- Artistic Principles
2.04: Module 2- What Is Art
2.4.01: Perception and Value
2.4.02: Reading- Value Judgment
2.4.03: The Ongoing Definition of Art
2.4.04: Reading- Defining Art
2.4.05: Putting It Together
2.4.06: Why It Matters
2.4.07: Art as a kind of communication and expression of culture
2.4.08: Reading- Defining Art from the Medieval Period to Renaissance
2.4.09: Reading- Defining Art from the Academy to Avant-Garde
2.4.10: Reading- Defining Art from Modernity to Globalization
2.4.11: Purposes of Art
2.4.12: Reading- Purpose of Art
2.4.13: Aesthetics
2.4.14: Reading- Art Aesthetics and Beauty
2.05: Module 3- Context and Perspective
2.5.01: Reading- Critical Modalities
2.5.02: Cultural and World Perspective
2.5.03: Reading- Crossing Cultures the artwork of Kehinde Wiley
2.5.04: Symbolism
2.5.05: Reading- Analyzing Symbols
2.5.06: Reading- Iconographic Analysis
2.5.07: Putting It Together
2.5.08: Why It Matters
2.5.09: Video- Art and Context
2.5.10: Perspective
2.5.11: Reading- Perspective
2.5.12: Subjective vs. Objective Analysis
2.5.13: Reading- How We See- Objective and Subjective Means
2.5.14: Context
2.5.15: Reading- Context
2.5.16: Critical Modalities
03: Philosophy of Art
3.01: Aristotle. Poetics. (335 B.C.)
04: The Visual Arts- Two-Dimensional Art
4.01: Drawing
4.02: Painting
4.03: Impressionism
4.04: Printmaking
4.05: Warhols Gold Marilyn Monroe
4.06: Photography
4.07: Early Photography
05: The Visual Arts- Three-Dimensional Art
5.01: Types of Sculpture and Other Three-Dimensional Media
5.02: Sculpture Methods
5.03: Italian Futurism- An Introduction
5.04: Installation Art
5.05: Architecture Design Methods and Materials
5.06: Romanesque Architecture
5.07: Gothic Architecture
06: The Literary and Dramatic Arts
6.01: Defining Literature
6.02: Literary Terms
6.03: How to Analyze a Novel
6.04: How to Analyze a Short Story
6.05: Theme
6.06: Metaphor
6.07: Point of View
6.08: Poetry Literary Terms- A Guide
6.09: How to Analyze Poetry
6.10: Shakespeare
6.10.01: Shakespeare
6.10.02: As You Like It
6.10.03: Antony and Cleopatra
6.11: Shakespeares The Merchant of Venice
07: The Music Arts
7.01: Melody Harmony and Scales
7.1.01: Introduction- Melody Harmony and Scales
7.1.02: Melody
7.1.03: Harmony
7.1.04: Intervals
7.1.05: Keys and Scales
7.1.06: Harmony and Tonality
7.1.07: Staff Clefs Ledger Lines Steps and Accidentals
7.1.08: PowerPoint- Melody Harmony Scales
7.02: W. A. Mozart- His Life and Legacy
7.03: W. A. Mozart- His Works
7.04: Ludwig van Beethoven
7.05: The Classical Concerto
7.06: The Classical Sonata
08: Ancient Greece
8.01: Athens
8.02: Classical Greece Philosophy
8.03: Ancient Greece and Rome
8.04: Classical and Hellenistic Greece (510 BCE 31 BCE)
09: The Renaissance
9.01: The Renaissance
9.02: 15001600 End of the Renaissance and the Reformation
9.03: Key Characteristics of Art- Renaissance through Baroque
9.04: Florence in the Early Renaissance
9.05: Toward the High Renaissance
9.06: Florence in the Trecento (1300s)
9.07: Video- Linear Perspective- Brunelleschis Experiement
9.08: Video- How One-Point Linear Perspective Works
9.09: Video- Rogier van der Weyden Deposition c. 1435
9.10: Humanist Thought
9.11: Art in the Renaissance
9.12: Renaissance Artists
10: The Age of Reason and Revolution
10.01: The Enlightenment
10.02: Enlightenment Thinkers
10.03: The Age of Discovery
10.04: The Scientific Revolution
10.05: Protestantism
10.06: The Baroque- Art Politics and Religion in Seventeenth-Century Europe
10.07: Music in the Baroque Era
10.08: The Baroque Era Music Bach
10.09: Overview of the Classical Era of Music
10.10: Overview of Classical Opera
10.11: Art Architecture and Theater in the Baroque Era
10.12: Neo-Classicism
10.13: Davids Death of Marat
10.14: Romanticism in France Delacroixs Liberty Leading the People
11: The Contemporary World
11.01: Becoming Modern
11.02: Cubism and Picassos Still Life with Chair Caning
11.03: The Origins of Abstract Expressionism
11.04: Dada and Surrealism
11.05: Pop Art
11.06: Minimalism
11.07: Global Concerns
11.08: Architecture for the 21st Century
11.09: Time-Based Media- Film and Video
11.10: How to Analyze a Film
11.11: 20th Century Architecture
11.12: Digital Technology and Art of the 21st Century