Nguồn ngoài

Documentary Culture

Theater Film and Storytelling Humanities

Tác giả: Steve Shlisky
Nhà xuất bản: Peralta Community College District
Nguồn: LibreTexts
Giấy phép: CC BY-NC
Ngôn ngữ: EN

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01: Introduction to Documentary Culture
1.01: Overview of Documentary Film- Defining documentary and its role in visual storytelling.
1.02: Documentary's role in visual storytelling
1.03: The Beholder's Share
1.04: Ambiguity
1.05: Analyzing and Discussing Documentaries
1.06: Student Exercises
02: The Evolution of Documentary Filmmaking- From early cinema to modern documentary practices
2.01: Actualities and scenics
2.02: Film Truth
2.03: Documentary as Propaganda
2.04: Cinema Verite and Direct Cinema
2.05: Documentary and Colonialism
2.06: Contemporary Documentary and beyond
2.07: Student Exercises
03: Documentary styles and approaches
3.01: Bill Nichols' six modes of documentary
3.02: Deeper dive into modes
3.03: Avante-garde influences on documentary production
3.04: The anti-aesthetic on documentary culture
3.05: Elastic Reality
3.06: Student Exercises
04: What a Documentary Isn't
4.01: Documentary vs. Fiction Films
4.02: Documentary vs. Broadcast Journalism
4.03: How Documentary vs. Commercials
4.04: Documentaries vs. Social Media
4.05: Student Activities
05: Ethical Considerations
5.01: The Six Core Ethical Applications
5.02: Documentary Ethics are Different Than Journalism Ethics
5.03: The Challenge of Portraying Objective Reality
5.04: Ethics Exercises
5.05: Key Questions for Students
06: Production Preperation
6.01: The Business of Being a Business
6.02: Accounting for Expenses
6.03: The Business Plan
07: The Production Pipeline
7.01: What's the Idea
7.02: Research and Story Development
7.03: Deductive vs Inductive Filmmaking
7.04: Which Approach Should You Use
7.05: Exercises
08: Camera Functions
8.01: DSLR vs. Mirrorless vs. Camcorders
8.02: Memory Cards
8.2.01: Formatting the SD (Memory) Card
8.03: Manual Mode
8.04: Iris Aperture
8.05: Depth of Field
8.06: Neutral Density Filters
8.07: Gain and ISO
8.08: Focus
8.09: Frame Rate and Shutter Speed
8.10: White Balance
8.11: Lenses
09: Video Aesthetics
9.01: Basic Shot Sizes
9.02: Camera Position
9.03: Camera Movements
9.04: Lens Movements
9.05: Video Composition
9.06: Critical Focus
10: Lighting
10.01: Measuring Light
10.02: Types of Lamps
10.03: Qualities of Light
10.04: Common Lights
10.05: Light Modification and Control
10.06: Lighting Design
11: Sound
11.01: Elements of Sound
11.02: Microphones
11.2.01: Microphones Used in Video Production
11.2.02: Polar Patterns
11.03: Audio Connectors
11.04: Controlling Sound with a Video Camera
11.05: Location Audio
12: Directing Interviews
12.01: Preparing Questions
12.02: Types of Interviews
12.03: Microphones and their Placement
12.04: Student Exercises
13: Filming Coverage
13.01: Types of Coverage Shots
13.02: Sequencing
13.03: Using the Deductive and Inductive Approach to Coverage Shots
13.04: Alternatives to Deductive and Inductive Coverage Shots
13.05: Archival and Copyright-Safe Video Sources
13.06: The McGuffin Idea
13.07: Student Exercises
14: Balancing Calm
14.01: Emotional Intellegence
14.02: The Stress-Performance Curve
14.03: Practical Strategy for Directors
14.04: Why Students Apologize for Their Work
14.05: Student Exercises
15: Editing the Documentary
15.01: Taming Chaos
15.02: Organization and Ingest
15.03: Building Assemblies
15.04: Refinement
15.05: The Fine Cut
15.06: An Editing Case History
15.07: Student Execises
16: Funding and Festivals
16.01: Fellowships
16.02: Grants
16.03: Other Funding Avenues
16.04: Film Festivals
17: Curated Free to View Documentaries