
Nguồn ngoài
Art History II
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Mục lục· 357 mục
- 01: Introduction
- 1.01: Overview
- 1.02: Key Learning Items
- 1.03: What is Art Form and Content
- 1.04: The Skill of Describing
- 1.05: Art as Concept
- 1.06: Art and Context
- 1.07: Representation and Abstraction
- 1.08: Why Is That Important
- 1.09: Why Is This Art
- 1.10: Interpreting Contemporary Art
- 1.11: Iconographic Analysis- Understanding Iconography
- 1.12: Formal Analysis- Understanding Visual Form
- 1.13: Art History Terms
- 1.14: External Resources
- 02: Proto-Renaissance (13001400)
- 2.01: Overview
- 2.02: Key Learning Items
- 2.03: Cimabue
- 2.04: Giottos Arena Chapel
- 2.05: Ognissanti Madonna
- 2.06: Duccio Maesta
- 2.07: Lorenzettis Palazzo Pubblico Frescos
- 2.08: Simone Martinis Annunciation
- 2.09: External Resources
- 03: 14001500Art in Northern Europe
- 3.01: Overview
- 3.02: Key Learning Items
- 3.03: Introduction to the Renaissance in Italy and the North
- 3.04: Sluters Well of Moses
- 3.05: Holy Thorn Reliquary
- 3.06: Introduction to Flanders
- 3.07: Campins Merode Altarpiece
- 3.08: Jan van Eycks Ghent Altarpiece
- 3.09: Arnolfini Portrait
- 3.10: Hugo van der Goes
- 3.11: Van der Weydens Deposition
- 3.12: The Unicorn in Captivity
- 3.13: External Resources
- 04: 14001500Art in Italy
- 4.01: Overview
- 4.02: External Resources
- 4.03: Key Learning Items
- 4.04: Florence in the Early Renaissance
- 4.05: Orsanmichele
- 4.06: Bruelleschi and Ghiberti The Sacrifice of Isaac
- 4.07: Linear Perspective
- 4.08: Early Applications of Linear Perspective
- 4.09: Donatellos Works
- 4.10: Contrapposto
- 4.11: Masaccios Tribute Money
- 4.12: Masaccios Holy Trinity
- 4.13: Fra Angelicos The Annunciation
- 4.14: Fra Filippo Lippi
- 4.15: Piero della Francescas Portraits of the Duke and Duchess of Urbino
- 4.16: Botticellis Birth of Venus
- 4.17: Alberti
- 4.18: Introduction to Venice
- 4.19: Bellinis St. Francis
- 4.20: Mantegnas Works
- 05: 15001600High Renaissance and Mannerism in Italy
- 5.01: Overview
- 5.02: Saint Peters Basilica
- 5.03: Introduction to Venetian Painting
- 5.04: Giorgione The Tempest
- 5.05: Bellini and Titian Feast of the Gods
- 5.06: Titian Bacchus and Ariadne
- 5.07: Titian Madonna of the Pesaro Family
- 5.08: Titian Venus of Urbino
- 5.09: Veronese Feast in the House of Levi
- 5.10: Tintoretto The Origin of the Milky Way
- 5.11: Introduction to Mannerism
- 5.12: Key Learning Items
- 5.13: Parmigianinos Madonna of the Long Neck
- 5.14: Bronzino and the Mannerist Portrait
- 5.15: El Grecos Adoration of the Shepherds
- 5.16: External Resources
- 5.17: Art and Science in the Renaissance
- 5.18: Toward the High Renaissance
- 5.19: Leonardo da Vinci Introduced
- 5.20: Virgin of the Rocks
- 5.21: The Last Supper
- 5.22: Mona Lisa
- 5.23: Michelangelo Introduced
- 5.24: Pieta
- 5.25: David
- 5.26: Moses
- 5.27: Sistine Chapel Ceiling
- 5.28: Sistine Chapel- Last Judgment
- 5.29: Marriage of the Virgin
- 5.30: Madonna of the Goldfinch
- 5.31: School of Athens
- 5.32: Alba Madonna
- 5.33: Tempietto
- 06: 15001600The Age of Reformation- Northern Renaissance Art
- 6.01: Overview
- 6.02: Key Learning Items
- 6.03: Introduction to the Protestant Reformation
- 6.04: Durers Four Apostles
- 6.05: Self-Portrait 1498
- 6.06: Self-Portrait 1500
- 6.07: What Is a Print
- 6.08: Durers Prints
- 6.09: Boschs Last Judgment
- 6.10: Altdorfers Battle of Issus
- 6.11: Cranachs Adam and Eve
- 6.12: Cranachs Wittenberg Altarpiece
- 6.13: Holbeins The Ambassadors
- 6.14: Portrait of Henry the VIII
- 6.15: Bruegels The Dutch Proverbs
- 6.16: External Resources
- 07: 16001700Baroque Art in Italy
- 7.01: Overview
- 7.02: Key Learning Items
- 7.03: Introduction to the Baroque
- 7.04: Baroque Art in Italy
- 7.05: Berninis David
- 7.06: Berninis St. Peters Square
- 7.07: Berninis Ecstasy of St. Teresa
- 7.08: Borrominis San Carlo alle Quattro Fontane
- 7.09: Coffered Dome Explained
- 7.10: Caravaggios Deposition
- 7.11: Caravaggios Calling of St. Matthew
- 7.12: Caravaggio and His Followers
- 7.13: Il Gesu Rome
- 7.14: Gentileschi
- 7.15: Carraccis Ceiling of the Farnese Palace
- 7.16: Quadro Riportato Explained
- 7.17: External Resources
- 08: 16001700Baroque Art in Flanders Dutch Republic Spain and France
- 8.01: Overview
- 8.02: Louis XIV and Versailles
- 8.03: Poussin Landscape with St. John
- 8.04: Le Nain Peasant Family in an Interior
- 8.05: External Resources
- 8.06: Key Learning Items
- 8.07: Baroque Terms Explained
- 8.08: Rubens Elevation of the Cross
- 8.09: Rubens Arrival of Marie de Medici
- 8.10: Rubens The Consequences of War
- 8.11: Vermeer Young Woman with a Water Pitcher
- 8.12: Vermeer The Glass of Wine
- 8.13: Vermeer and the Camera Obscura
- 8.14: Rembrandt Bathsheba at her Bath
- 8.15: Rembrandt The Three Crosses
- 8.16: Rembrandts Self-Portraits
- 8.17: Hals Singing Boy with Flute
- 8.18: Hals Malle Babbe
- 8.19: van Huysum Vase with Flowers
- 8.20: Vanitas Painting Explained
- 8.21: Dutch Genre Painting Explained
- 8.22: Las Meninas
- 8.23: Los Borrachos
- 09: 17001800The Age of Enlightenment
- 9.01: Overview
- 9.02: External Resources
- 9.03: Key Learning Items
- 9.04: Age of Enlightenment
- 9.05: Rococo Explained
- 9.06: Fragonards The Swing
- 9.07: Bouchers Madame de Pompadour
- 9.08: Vigee Le Bruns Madame Perregaux
- 9.09: Introduction to Neo-Classicism
- 9.10: Davids Oath of the Horatii
- 9.11: Davids Death of Marat
- 9.12: Davids Napoleon Crossing the Alps
- 9.13: Antonio Canova
- 9.14: Benjamin West
- 9.15: Sir Joshua Reynolds
- 9.16: William Hogarth
- 9.17: John Singleton Copley
- 9.18: Copleys Watson and the Shark
- 9.19: Charles Wilson Peale
- 9.20: Gilbert Stuart
- 10: 18001848Industrial Revolution Part I
- 10.01: Overview
- 10.02: Hudson River School
- 10.03: The Oxbow
- 10.04: Portrait of a Young Woman
- 10.05: External Resources
- 10.06: Key Learning Items
- 10.07: Introduction to Romanticism
- 10.08: Liberty Leading the People
- 10.09: Scene of the Massacre at Chios
- 10.10: Death of Sardanapalus
- 10.11: Understanding Delacroixs Painterly Techniques
- 10.12: Napoleon Bonaparte Visiting the Plague-Stricken in Jaffa
- 10.13: Raft of the Medusa
- 10.14: Portraits of the Insane
- 10.15: Apotheosis of Homer
- 10.16: Madame Riviere
- 10.17: Grand Odalisque
- 10.18: Princesse de Broglie
- 10.19: Third of May 1808
- 10.20: Sleep of Reason Produces Monsters
- 10.21: Saturn Devouring One of His Sons
- 10.22: Constable The Haywain
- 10.23: Turner Slave Ship
- 11: 18481907Industrial Revolution Part II
- 11.01: Overview
- 11.02: Caillebotte Paris Street Rainy Day
- 11.03: Cassatt In the Loge
- 11.04: Cassatt The Childs Bath
- 11.05: Morisot The Mother and Sister of the Artist
- 11.06: Renoir Moulin de la Galette
- 11.07: Post-Impressionism Explained
- 11.08: Seurat La Grande Jatte
- 11.09: Van Gogh Self-Portrait Dedicated to Paul Gauguin
- 11.10: Van Gogh The Bedroom
- 11.11: Van Gogh Self-Portrait with Bandaged Ear
- 11.12: Key Learning Items
- 11.13: Cezanne Basket of Apples
- 11.14: Cezanne The Large Bathers
- 11.15: Gauguin Vision After the Sermon
- 11.16: Gauguin Spirit of the Dead Watching
- 11.17: Toulouse-Lautrec At the Moulin Rouge
- 11.18: Gaudi Sagrada Familia
- 11.19: Fin-de-siecle Explained
- 11.20: Klimt The Kiss
- 11.21: Munch The Storm
- 11.22: Rodin Gates of Hell
- 11.23: Becoming Modern
- 11.24: Emanuel Leutze Washington Crossing the Delaware
- 11.25: Eakins The Gross Clinic
- 11.26: Homer The Life Line
- 11.27: John Singer Sargent Madame X
- 11.28: Whistler Nocturne in Black and Gold
- 11.29: External Resources
- 11.30: Introduction to Early Photography
- 11.31: Louis Daguerre
- 11.32: Timothy OSullivan
- 11.33: Introduction to Realism
- 11.34: Courbet The Stone Breakers
- 11.35: Bonheur Plowing in the Nivernais
- 11.36: Millet The Gleaners
- 11.37: Degas The Dance Class
- 11.38: Degas At the Races in the Countryside
- 11.39: Manet Luncheon on the Grass (Le Dejeuner sur lherbe)
- 11.40: Manet Olympia
- 11.41: Manet A Bar at the Folies-Bergere
- 11.42: Garnier Paris Opera
- 11.43: Introduction to Impressionism
- 11.44: Monet Gare St. Lazare
- 11.45: Monet Rouen Cathedral Series
- 12: 19071960Age of Global Conflict Part I
- 12.01: Overview
- 12.02: Duchamp In Advance of the Broken Arm
- 12.03: Duchamp Fountain
- 12.04: Duchamp The Red Box
- 12.05: Arp Untitled
- 12.06: Hoch Cut with the Kitchen Knife
- 12.07: Klee Twittering Machine
- 12.08: An Introduction to Futurism
- 12.09: Three Futurists
- 12.10: Malevich
- 12.11: Mondrian Composition No. II
- 12.12: Key Learning Items
- 12.13: Modigliani Young Woman in a Shirt
- 12.14: Otto Dix
- 12.15: Feininger Cathedral
- 12.16: Maholy-Nagy
- 12.17: External Resources
- 12.18: Introduction to Fauvism
- 12.19: Matisse Bonheur de Vivre
- 12.20: Matisse The Red Studio
- 12.21: Matisse The Piano Lesson
- 12.22: Kirchner Street Dresden
- 12.23: Kandinsky Composition VII
- 12.24: Schiele Seated Male Nude
- 12.25: Picasso Still Life with Chair Caning
- 12.26: Picassos Early Works
- 12.27: Picasso Portrait of Gertrude Stein
- 12.28: Picasso Les Demoiselles dAvignon
- 12.29: Picasso The Reservoir
- 12.30: Picasso Guitar
- 12.31: Picasso Guernica
- 12.32: Braque The Portuguese
- 12.33: Braque The Viaduct at LEstaque
- 12.34: Duchamp and the Ready-Mades
- 13: 19071960Age of Global Conflict Part II
- 13.01: Overview
- 13.02: Rothkos Painting Technique
- 13.03: Newman Onement 1
- 13.04: Newmans Painting Technique
- 13.05: de Kooning Woman I
- 13.06: Robert Motherwell
- 13.07: Jasper Johns
- 13.08: Rauschenberg
- 13.09: Reinhardt
- 13.10: Introduction to Photography
- 13.11: Cartier-Bresson
- 13.12: Key Learning Items
- 13.13: Brancusi Bird in Space
- 13.14: Gilbert Woolworth Building
- 13.15: Frank Lloyd Wright Guggenheim Museum
- 13.16: Mies van der Rohe Seagram Building
- 13.17: External Resources
- 13.18: Man Ray The Gift
- 13.19: Giacometti The Palace at 4 a.m.
- 13.20: Giacometti The City Square
- 13.21: Magritte The Treachery of Images
- 13.22: Dali The Persistence of Memory
- 13.23: Dali Metamorphosis of Narcissus
- 13.24: House of Art
- 13.25: George Bellows
- 13.26: Grant Wood American Gothic
- 13.27: Georgia OKeeffe
- 13.28: Edward Hopper Nighthawks
- 13.29: Frida Kahlo and Diego Rivera
- 13.30: Origins of Abstract Expressionism
- 13.31: Impact of Abstract Expressionism
- 13.32: Pollock One- Number 31 1950
- 13.33: Pollocks Painting Techniques
- 13.34: Rothko No. 3 No. 13
- 14: 1960NowAge of Post-Colonialism Part I
- 14.01: Overview
- 14.02: Robert Morris
- 14.03: Eva Hesse Untitled
- 14.04: Eva Hesse Untitled (Rope Piece)
- 14.05: Chicago and Benglis
- 14.06: Introduction to Performance Art
- 14.07: Joseph Beuys Fat Chair
- 14.08: Joseph Beuys Table with Accumulator
- 14.09: External Resources
- 14.10: Key Learning Items
- 14.11: Introduction to Contemporary Art
- 14.12: Diane Arbus
- 14.13: Cindy Sherman
- 14.14: Sherrie Levine
- 14.15: Francis Bacon
- 14.16: Lucian Freud
- 14.17: Louise Bourgeois
- 14.18: Warhol Gold Marilyn Monroe
- 14.19: Warhol Campbells Soup Cans
- 14.20: Oldenburg Floor Cake
- 14.21: Lichtenstein Girl with Ball
- 14.22: Lichtenstein Rouen Cathedral Set V
- 14.23: Ed and Nancy Kienholz
- 14.24: Richter Uncle Rudi
- 14.25: Richter The Cage Paintings
- 14.26: Donald Judd
- 14.27: Dan Flavin
- 15: 1960NowAge of Post-Colonialism Part II
- 15.01: Overview
- 15.02: Key Learning Items
- 15.03: Understanding Installation Art
- 15.04: Vito Acconci
- 15.05: John Baldessari
- 15.06: Hans Haacke
- 15.07: Mary Kelly
- 15.08: Robert Smithson
- 15.09: Bruce Nauman
- 15.10: Robert Colescott
- 15.11: Damien Hirst
- 15.12: Art in the Twenty-First Century
- 15.13: Ai Weiwei
- 15.14: External Resources